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A Movie That Costs Only $1.6 Million Doesn't Have to Be a Cultural Event to Turn a Profit.
Steven Soderbergh
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Steven Soderbergh
Age: 61
Born: 1963
Born: January 14
Actor
Camera Operator
Cinematographer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Showrunner
Television Director
Atlanta
Georgia
Steven Andrew Soderbergh
Peter Andrews
Mary Ann Bernard
Millions
Event
Movie
Cultural
Turns
Profit
Doesn
Inspiring
Million
Cost
Events
Costs
Turn
Filmmaker
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My experience over the years with working with people who are not actors or not trained actors is that you have to get to know them well enough to see what they have that's translatable onto the screen.
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Never had a cup of coffee in my life. Dr Pepper is my caffeine delivery system of choice.
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If you're a painter and you want people to know who you are and recognize your work, you've got to build some long-term value.
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I have no shame in making music that maybe, if you listen to it long enough, you'll realize you've heard this or that part of it before. I'm still very excited by an amazingly written song, so that's really the thing that I work on when I make records with people.
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Your take on things is what is either going to make you somebody people talk about or no.
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I think that music is a very difficult art form in which to be avant-garde. When we sit down to listen to a piece of music, I think our implicit hope is that we're going to find it beautiful, or at least emotional, on some level.
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I just find it annoying that in these sequences [of the fight scenes], traditionally, there's music trying to pump you up. I don't like that, personally, as an audience member. This just reflects my taste.
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I'm a grinder. I'll beat you because I will not sleep.
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You can't change who you are, so I think that the only thing you can do is just never talk to people about stuff and then hope that maybe does something.
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We're all standing on the shoulders of what other people have done. But you're supposed to take that and add your own sauce. It can be intimidating, believe me.
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The traditional models for success are just also disappearing.
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When I look around the world and think why is everything working or not working, it's because it's entrenched ideology. You can't solve a problem if you're sitting down with people who say, All these ideas are off the table because of what I believe.
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But my sense in talking to people when I travel is that the film business is not that dissimilar from a lot of other businesses.
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You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
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Jude [Law] is really good at playing an obsessive. He has a very watchable quality when he's on a quest for something.
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You’re supposed to expand your mind to fit the art, you’re not supposed to chop the art down to fit your mind.
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It takes one asshole to ruin the whole thing. That's it. One. The problem with the world is one asshole comes up with a really bad idea and now we're all taking our shoes off at the airport.
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I always have a plan, but then I'm always ready to throw the plan out, and everyone's ready to make a radical left turn if necessary.
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