Quote

She let me in during her tour, in London. Her band members - especially Lenny Kaye - were shocked at the fact that I was filming Patti [Smith].

Steven Sebring

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Steven Sebring
Age: 58
Born: 1966
Born: January 1
Photographer
Members
Kaye
Band
Lenny
Especially
Patti
Fact
Filming
Facts
Smith
Shocked
Tour
London

More quotes by Steven Sebring

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The film [Dream of Life] came together when we started editing it was organic, it became nonlinear and it was its own animal. And I didn't want to tame it, either. I wanted it to be different. It's not your typical documentary.
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Fashion has also been a great outlet, and I'd like to do more fashion photography in the future. I also photograph a lot of artists.
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Sometimes my fashion pictures can look a little bit like documentary style pictures. So having a camera in my hand was normal.
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Hopefully I can inspire lots of people to learn about [Patti Smith], to read poetry or learn about William Blake or Arthur Rimbaud.
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Many of my family members are teachers in the arts, and I picked up the camera years ago, in high school.
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I remember when we were at Sundance, we were in Robert Redford's screening room, and I had never seen the film look so beautiful or sound so great. It was really big and really powerful, and I had a sense of accomplishment in finishing a project like this.
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Because the filming process was so organic and there was no script, the film [Dream of Life] was literally telling us what it wanted to be in the editing room.
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I just wanted to be Patti's [Smith] messenger and get her word out there.
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I like not knowing too much about somebody I'm photographing, because the process also becomes an experience for me to learn about .
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[Some] times I'd have sound but no image. When Patti [Smith] was singing with her guitar, or doing something amazing with her clarinet, I'd just mess around and record the sound. So we'd use those sounds as another layer in the film [Dream of Life].
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[Through the making of Dream of Life] I learned about being patient, perseverance, having a dream, a goal. I learned that I can accomplish something despite not knowing anything about it when I begin.
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I shot [Dream of Life] all on 16-millimeter, and I just wanted to learn about Patti [Smith].
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I became Patti's [Smith] messenger, basically, and the film is my view of how I learned about Patti.
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I never went to film school, so I just sort of learned on my own.
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We had a hodgepodge of footage. We didn't film [in Dream of Life ]all the time - we would just film periodically, so nothing was synced and nothing was slated.
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I do remember, the first time we met [with Patti Smith], the door opening with a squeak. And then there was this very beautiful girl looking out.
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For me, moving from photography to film was very easy.
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I came up with more money, took all the footage, got a great editor and made this film [Dream of Life]. But I really didn't go into it with the intention of making a movie.
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When I started photographing Patti [Smith], I knew that there wasn't a whole a lot of information out there about her. I was periodically interested in films, and so I just kept asking her if I could come around.
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We just grew to trust each other [with Patti Smith] more and more over the years. Most of the time I didn't even have a movie camera.
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