Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
With FX in particular, they've been fantastic and were really hands off. I mean, it helps that you've got Ridley Scott on your side.
Steven Knight
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Steven Knight
Age: 65
Born: 1959
Born: August 5
Executive Producer
Film Director
Screenwriter
Birmingham
West Midlands
Really
Helps
Fantastic
Side
Particular
Sides
Helping
Hands
Ridley
Mean
Scott
More quotes by Steven Knight
[Taboo] has been exactly the same as working with the BBC in that creatively they do that precious thing which is to only make a comment when a comment needs to be made.
Steven Knight
I didn't direct [the Taboo episodes]. I wrote all of them.
Steven Knight
East India Company weren't an evil organization that went around deliberately oppressing people, but they were driven by profit, and how familiar is that now?
Steven Knight
I'm not suggesting that ours [series] is unique in that, but they can begin to have that depth, that gravity, they can spend some time, so it's a bit more like reading a good novel, if you like.
Steven Knight
Just the idea that someone is married and they've got a kid, and he reports for work one morning and his boss says, You're wife is a spy. Shoot her. In the real story, he just went back and did it, which would have been a short film. Therefore, I had to spend some time exploring what you would do.
Steven Knight
I've spent three hours with Snoop Dogg, talking about how he loved [Peaky Blinders series]. And David Bowie loved it. The late Leonard Cohen was a fan. It struck a chord with various people that I didn't think it would.
Steven Knight
[2015] it's a time that there's a clash of ideologies, similar to the Cold War. I think that a story like this has been waiting to be told, and I think it's a fresh look at the whole earth-shattering business of the collapse of the Soviet Union.
Steven Knight
I visited the set [of Allied] a few times, and it was a great set to visit. A lot of it was in West London, in an old Gillette factory. You'd go into the factory through the security, and then there were a lot of camels and goats. Most sets are really dull, but this was fantastic.
Steven Knight
With any period piece I think the thing to do is forget that it's not contemporary when you're writing and to have the characters feel as much as possible like characters that you would know.
Steven Knight
I like to create a character where you believe, deep down, that they don't really care if they live or die. That's very liberating for the character because, if the character is prepared to die, then they can do anything. It's impossible to stop them.
Steven Knight
[Allied] meant to be a film that's a bit different. It's roots are in the '40s and '50s, and that sort of filmmaking style.
Steven Knight
When I was probably about 10 or 11, and I found it was simply something I could do. When you're at school and you do something and you get praised for it, you think, Oh, right, well I'll do that. From then on, I always thought I'd be a writer. I thought novels at first, and then I sort of naturally drifted into TV.
Steven Knight
There were three options [in Allied], which were for [Bred Pitt] to shoot [Marion Cotillard], for them to escape, or for her to pull the trigger, which is a heroic act to spare him. When I was thinking about how it would end, a long time ago, I think I tried each of them to see, but two of them did not work.
Steven Knight
It has to be an actress like Marion Cotillard [in Allied] because there are so many levels to it. It's set in the Second World War, when lots of people were doing things that, outside of a war, you wouldn't do, like killing and dropping bombs. She's doing things that one wouldn't approve of, but it's war.
Steven Knight
Suddenly, after years of television being the poor relation and film being everything, it now feels like film is a conjuring trick. It's like, Oh, my god, how are you going to do that in 90 minutes, as opposed to eight hours?! I've got so little time to do this! It becomes an art form, in itself. Doing both helps you do each one.
Steven Knight
If you've read something brilliant, it's good. It's good to look out the window and see what's going on in the world.
Steven Knight
I wanted to take a damaged individual in a damaged society with damaged relationships between nations and take a look at how this individual survives amongst them, and that for me as a writer is the connection that you needed to get inside the skin of the main character and wonder how he's going to cope with all this.
Steven Knight
I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around.
Steven Knight
The plan is that there would be three seasons [in Taboo], and, as with Peaky Blinders, I have had a destination in mind from the beginning, because I think it helps as a writer. The destination in mind is that James Keziah Delaney sets foot on Nootka Sound. But that's a long way off.
Steven Knight
When you're watching, I find two things happen. You either watch a film and it's really good and then you think, Why can't I do that? Or you watch a film and it's not good, and you think, Why am I doing this? So either way, it feels like being at work.
Steven Knight
