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I think that helps because there has been no formality of friendship, the politeness of friendship, so we can just work directly on the work that's ahead of us [with Tom Hardey].

Steven Knight

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Steven Knight
Age: 65
Born: 1959
Born: August 5
Executive Producer
Film Director
Screenwriter
Birmingham
West Midlands
Helping
Work
Formality
Think
Politeness
Thinking
Toms
Directly
Helps
Ahead
Friendship

More quotes by Steven Knight

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East India Company were a huge multinational that had the added impetus that they felt they were spreading Christian civilization around the world - so they were pretty free to do anything they wanted.
Steven Knight
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I like to create a character where you believe, deep down, that they don't really care if they live or die. That's very liberating for the character because, if the character is prepared to die, then they can do anything. It's impossible to stop them.
Steven Knight
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With FX in particular, they've been fantastic and were really hands off. I mean, it helps that you've got Ridley Scott on your side.
Steven Knight
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When I was probably about 10 or 11, and I found it was simply something I could do. When you're at school and you do something and you get praised for it, you think, Oh, right, well I'll do that. From then on, I always thought I'd be a writer. I thought novels at first, and then I sort of naturally drifted into TV.
Steven Knight
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With any period piece I think the thing to do is forget that it's not contemporary when you're writing and to have the characters feel as much as possible like characters that you would know.
Steven Knight
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I'm not suggesting that ours [series] is unique in that, but they can begin to have that depth, that gravity, they can spend some time, so it's a bit more like reading a good novel, if you like.
Steven Knight
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There's more to come. Series 4 [of Peaky Blinders] is coming soon. But I'm proud of making my hometown, which is considered to be completely unfashionable, slightly fashionable. People actually know where it is now.
Steven Knight
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I find the best way to make things real is to just put two characters into a space and let them talk to each other in the way that they would talk to each other, and then see what they would say. I know it sounds weird, but that leads the plot and takes you in another direction.
Steven Knight
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I don't think that jealousy and love and hate and anger and all those things have changed in the past 200 years - people just express themselves differently.
Steven Knight
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Suddenly, after years of television being the poor relation and film being everything, it now feels like film is a conjuring trick. It's like, Oh, my god, how are you going to do that in 90 minutes, as opposed to eight hours?! I've got so little time to do this! It becomes an art form, in itself. Doing both helps you do each one.
Steven Knight
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You know that when you suggest something on the page, it's going to be there, plus more. It's a great luxury to know that you don't have to push it. You just lay it out, and it will be there.
Steven Knight
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[2015] it's a time that there's a clash of ideologies, similar to the Cold War. I think that a story like this has been waiting to be told, and I think it's a fresh look at the whole earth-shattering business of the collapse of the Soviet Union.
Steven Knight
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[Allied] meant to be a film that's a bit different. It's roots are in the '40s and '50s, and that sort of filmmaking style.
Steven Knight
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There [in Allied] was depicting London in the war, as well, and doing that in a way where you see something that you don't normally see, which is how hedonistic it was. In reality, that's what was going on. But, all of it worked.
Steven Knight
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Whenever I see a cut of a film and something is gone, I don't notice it unless it obviously should have been kept.
Steven Knight
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I visited the set [of Allied] a few times, and it was a great set to visit. A lot of it was in West London, in an old Gillette factory. You'd go into the factory through the security, and then there were a lot of camels and goats. Most sets are really dull, but this was fantastic.
Steven Knight
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I wanted to take a damaged individual in a damaged society with damaged relationships between nations and take a look at how this individual survives amongst them, and that for me as a writer is the connection that you needed to get inside the skin of the main character and wonder how he's going to cope with all this.
Steven Knight
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When you're watching, I find two things happen. You either watch a film and it's really good and then you think, Why can't I do that? Or you watch a film and it's not good, and you think, Why am I doing this? So either way, it feels like being at work.
Steven Knight
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You work, especially in the movie business more than in TV, but you have an environment where people feel obliged to have an input because that's what they do, and I think sometimes it can clutter things up and make things more problematic.
Steven Knight
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Just the idea that someone is married and they've got a kid, and he reports for work one morning and his boss says, You're wife is a spy. Shoot her. In the real story, he just went back and did it, which would have been a short film. Therefore, I had to spend some time exploring what you would do.
Steven Knight