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I wanted to take a damaged individual in a damaged society with damaged relationships between nations and take a look at how this individual survives amongst them, and that for me as a writer is the connection that you needed to get inside the skin of the main character and wonder how he's going to cope with all this.

Steven Knight

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Steven Knight
Age: 65
Born: 1959
Born: August 5
Executive Producer
Film Director
Screenwriter
Birmingham
West Midlands
Look
Inside
Amongst
Looks
Needed
Connection
Take
Wonder
Skin
Going
Nations
Skins
Society
Main
Individual
Connections
Survives
Character
Relationships
Damaged
Wanted
Writer
Cope

More quotes by Steven Knight

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I like to create a character where you believe, deep down, that they don't really care if they live or die. That's very liberating for the character because, if the character is prepared to die, then they can do anything. It's impossible to stop them.
Steven Knight
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There were three options [in Allied], which were for [Bred Pitt] to shoot [Marion Cotillard], for them to escape, or for her to pull the trigger, which is a heroic act to spare him. When I was thinking about how it would end, a long time ago, I think I tried each of them to see, but two of them did not work.
Steven Knight
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You work, especially in the movie business more than in TV, but you have an environment where people feel obliged to have an input because that's what they do, and I think sometimes it can clutter things up and make things more problematic.
Steven Knight
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I think it creates so many more opportunities and pitfalls in that you are treading on fresh snow, so you're in a new place.
Steven Knight
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[The Girl in the Spider's Web] can't be anything other than a sequel, but a couple of books have been skipped, so it is different, in that sense. It's really taking a very strong central character and thinking, how do you execute this? It's quite different.
Steven Knight
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In other words, when you have someone [like Ridley Scott] with that authority, then you tend to be left alone. But they were good and they're really good people, and I'm a big champion of the BBC and I think that like minds find each other and I think that FX and BBC is a perfect match.
Steven Knight
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I spoke to Tom's [Hardy] manager and said, While we're talking about Taboo, do you mind if I also mention this film project that I've got, which is called Locke, and I need Tom to play the lead. And we spoke about both in that meeting and in the end the deal was that I would do Taboo if he did Locke and vice versa.
Steven Knight
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East India Company weren't an evil organization that went around deliberately oppressing people, but they were driven by profit, and how familiar is that now?
Steven Knight
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The plan is that there would be three seasons [in Taboo], and, as with Peaky Blinders, I have had a destination in mind from the beginning, because I think it helps as a writer. The destination in mind is that James Keziah Delaney sets foot on Nootka Sound. But that's a long way off.
Steven Knight
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I love cooking and kitchens.It's just a great world, and I wanted to explore it. You see the façade, the outside, the public part, and then you just walk through one door marked Staff Only and you're in a different universe.
Steven Knight
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I've spent three hours with Snoop Dogg, talking about how he loved [Peaky Blinders series]. And David Bowie loved it. The late Leonard Cohen was a fan. It struck a chord with various people that I didn't think it would.
Steven Knight
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There [in Allied] was depicting London in the war, as well, and doing that in a way where you see something that you don't normally see, which is how hedonistic it was. In reality, that's what was going on. But, all of it worked.
Steven Knight
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With FX in particular, they've been fantastic and were really hands off. I mean, it helps that you've got Ridley Scott on your side.
Steven Knight
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I visited the set [of Allied] a few times, and it was a great set to visit. A lot of it was in West London, in an old Gillette factory. You'd go into the factory through the security, and then there were a lot of camels and goats. Most sets are really dull, but this was fantastic.
Steven Knight
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[2015] it's a time that there's a clash of ideologies, similar to the Cold War. I think that a story like this has been waiting to be told, and I think it's a fresh look at the whole earth-shattering business of the collapse of the Soviet Union.
Steven Knight
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I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around.
Steven Knight
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[Taboo] has been exactly the same as working with the BBC in that creatively they do that precious thing which is to only make a comment when a comment needs to be made.
Steven Knight
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I don't think that jealousy and love and hate and anger and all those things have changed in the past 200 years - people just express themselves differently.
Steven Knight
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It's always good to have a world that people don't know about - a world that hasn't yet been done. It's like treading on fresh snow. You're the first one there.
Steven Knight
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Just the idea that someone is married and they've got a kid, and he reports for work one morning and his boss says, You're wife is a spy. Shoot her. In the real story, he just went back and did it, which would have been a short film. Therefore, I had to spend some time exploring what you would do.
Steven Knight