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It has to be an actress like Marion Cotillard [in Allied] because there are so many levels to it. It's set in the Second World War, when lots of people were doing things that, outside of a war, you wouldn't do, like killing and dropping bombs. She's doing things that one wouldn't approve of, but it's war.

Steven Knight

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Steven Knight
Age: 65
Born: 1959
Born: August 5
Executive Producer
Film Director
Screenwriter
Birmingham
West Midlands
Many
Actresses
Things
Lots
Like
Killing
Marion
World
Outside
Allied
People
Wouldn
Approve
Second
Dropping
Levels
Actress
War
Bombs

More quotes by Steven Knight

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When you're watching, I find two things happen. You either watch a film and it's really good and then you think, Why can't I do that? Or you watch a film and it's not good, and you think, Why am I doing this? So either way, it feels like being at work.
Steven Knight
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When I was probably about 10 or 11, and I found it was simply something I could do. When you're at school and you do something and you get praised for it, you think, Oh, right, well I'll do that. From then on, I always thought I'd be a writer. I thought novels at first, and then I sort of naturally drifted into TV.
Steven Knight
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There [in Allied] was depicting London in the war, as well, and doing that in a way where you see something that you don't normally see, which is how hedonistic it was. In reality, that's what was going on. But, all of it worked.
Steven Knight
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[Allied] meant to be a film that's a bit different. It's roots are in the '40s and '50s, and that sort of filmmaking style.
Steven Knight
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I wanted to take a damaged individual in a damaged society with damaged relationships between nations and take a look at how this individual survives amongst them, and that for me as a writer is the connection that you needed to get inside the skin of the main character and wonder how he's going to cope with all this.
Steven Knight
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I don't think that jealousy and love and hate and anger and all those things have changed in the past 200 years - people just express themselves differently.
Steven Knight
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I find the best way to make things real is to just put two characters into a space and let them talk to each other in the way that they would talk to each other, and then see what they would say. I know it sounds weird, but that leads the plot and takes you in another direction.
Steven Knight
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I spoke to Tom's [Hardy] manager and said, While we're talking about Taboo, do you mind if I also mention this film project that I've got, which is called Locke, and I need Tom to play the lead. And we spoke about both in that meeting and in the end the deal was that I would do Taboo if he did Locke and vice versa.
Steven Knight
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East India Company weren't an evil organization that went around deliberately oppressing people, but they were driven by profit, and how familiar is that now?
Steven Knight
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With any period piece I think the thing to do is forget that it's not contemporary when you're writing and to have the characters feel as much as possible like characters that you would know.
Steven Knight
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You know that when you suggest something on the page, it's going to be there, plus more. It's a great luxury to know that you don't have to push it. You just lay it out, and it will be there.
Steven Knight
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I am someone who thinks that if you've got an actor like that who wants to perform your work, then you should do it, and hopefully Tom [Hardey] likes to do the work that I do, so long may it continue.
Steven Knight
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I've spent three hours with Snoop Dogg, talking about how he loved [Peaky Blinders series]. And David Bowie loved it. The late Leonard Cohen was a fan. It struck a chord with various people that I didn't think it would.
Steven Knight
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I love cooking and kitchens.It's just a great world, and I wanted to explore it. You see the façade, the outside, the public part, and then you just walk through one door marked Staff Only and you're in a different universe.
Steven Knight
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I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around.
Steven Knight
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Just the idea that someone is married and they've got a kid, and he reports for work one morning and his boss says, You're wife is a spy. Shoot her. In the real story, he just went back and did it, which would have been a short film. Therefore, I had to spend some time exploring what you would do.
Steven Knight
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What I wanted to do [in Allied] was get two characters who fall in love for real, across the barricade, and then it transcends the war.
Steven Knight
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Suddenly, after years of television being the poor relation and film being everything, it now feels like film is a conjuring trick. It's like, Oh, my god, how are you going to do that in 90 minutes, as opposed to eight hours?! I've got so little time to do this! It becomes an art form, in itself. Doing both helps you do each one.
Steven Knight
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East India Company were a huge multinational that had the added impetus that they felt they were spreading Christian civilization around the world - so they were pretty free to do anything they wanted.
Steven Knight
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In other words, when you have someone [like Ridley Scott] with that authority, then you tend to be left alone. But they were good and they're really good people, and I'm a big champion of the BBC and I think that like minds find each other and I think that FX and BBC is a perfect match.
Steven Knight