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Whenever I see a cut of a film and something is gone, I don't notice it unless it obviously should have been kept.

Steven Knight

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Steven Knight
Age: 65
Born: 1959
Born: August 5
Executive Producer
Film Director
Screenwriter
Birmingham
West Midlands
Obviously
Kept
Whenever
Cutting
Unless
Gone
Film
Something
Notice

More quotes by Steven Knight

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It's always good to have a world that people don't know about - a world that hasn't yet been done. It's like treading on fresh snow. You're the first one there.
Steven Knight
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I spoke to Tom's [Hardy] manager and said, While we're talking about Taboo, do you mind if I also mention this film project that I've got, which is called Locke, and I need Tom to play the lead. And we spoke about both in that meeting and in the end the deal was that I would do Taboo if he did Locke and vice versa.
Steven Knight
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I've spent three hours with Snoop Dogg, talking about how he loved [Peaky Blinders series]. And David Bowie loved it. The late Leonard Cohen was a fan. It struck a chord with various people that I didn't think it would.
Steven Knight
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Suddenly, after years of television being the poor relation and film being everything, it now feels like film is a conjuring trick. It's like, Oh, my god, how are you going to do that in 90 minutes, as opposed to eight hours?! I've got so little time to do this! It becomes an art form, in itself. Doing both helps you do each one.
Steven Knight
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Snoop [Dog] said [Peaky Blinders] reminded him of how he got involved with gang culture. It's always fantastically flattering when I see people dress like that and take on the look.
Steven Knight
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[2015] it's a time that there's a clash of ideologies, similar to the Cold War. I think that a story like this has been waiting to be told, and I think it's a fresh look at the whole earth-shattering business of the collapse of the Soviet Union.
Steven Knight
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I wouldn't put myself in that bracket, but it's one of those things. I think what helps is that we [with Tom Hardey] don't socialize, we don't really know each other, we purely work together.
Steven Knight
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With FX in particular, they've been fantastic and were really hands off. I mean, it helps that you've got Ridley Scott on your side.
Steven Knight
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You work, especially in the movie business more than in TV, but you have an environment where people feel obliged to have an input because that's what they do, and I think sometimes it can clutter things up and make things more problematic.
Steven Knight
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You know that when you suggest something on the page, it's going to be there, plus more. It's a great luxury to know that you don't have to push it. You just lay it out, and it will be there.
Steven Knight
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[Woman Walks Ahead] is from me being a very bizarre child. From the age of about 8 to the age of about 15, I was obsessed with Native Americans.
Steven Knight
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I like to create a character where you believe, deep down, that they don't really care if they live or die. That's very liberating for the character because, if the character is prepared to die, then they can do anything. It's impossible to stop them.
Steven Knight
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I love cooking and kitchens.It's just a great world, and I wanted to explore it. You see the façade, the outside, the public part, and then you just walk through one door marked Staff Only and you're in a different universe.
Steven Knight
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Obviously, television is a writer's medium, so you get a lot more power and authority. With a film, the discipline is having a beginning, middle and end, and having it work in a specific space of time.
Steven Knight
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I didn't direct [the Taboo episodes]. I wrote all of them.
Steven Knight
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It has to be an actress like Marion Cotillard [in Allied] because there are so many levels to it. It's set in the Second World War, when lots of people were doing things that, outside of a war, you wouldn't do, like killing and dropping bombs. She's doing things that one wouldn't approve of, but it's war.
Steven Knight
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I wanted to take a damaged individual in a damaged society with damaged relationships between nations and take a look at how this individual survives amongst them, and that for me as a writer is the connection that you needed to get inside the skin of the main character and wonder how he's going to cope with all this.
Steven Knight
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There were three options [in Allied], which were for [Bred Pitt] to shoot [Marion Cotillard], for them to escape, or for her to pull the trigger, which is a heroic act to spare him. When I was thinking about how it would end, a long time ago, I think I tried each of them to see, but two of them did not work.
Steven Knight
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I am someone who thinks that if you've got an actor like that who wants to perform your work, then you should do it, and hopefully Tom [Hardey] likes to do the work that I do, so long may it continue.
Steven Knight
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[Allied] meant to be a film that's a bit different. It's roots are in the '40s and '50s, and that sort of filmmaking style.
Steven Knight