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Just the idea that someone is married and they've got a kid, and he reports for work one morning and his boss says, You're wife is a spy. Shoot her. In the real story, he just went back and did it, which would have been a short film. Therefore, I had to spend some time exploring what you would do.

Steven Knight

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Steven Knight
Age: 65
Born: 1959
Born: August 5
Executive Producer
Film Director
Screenwriter
Birmingham
West Midlands
Would
Film
Short
Time
Kids
Married
Spy
Someone
Says
Exploring
Stories
Went
Reports
Back
Wife
Boss
Ideas
Morning
Shoot
Real
Story
Therefore
Work
Idea
Spend

More quotes by Steven Knight

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When I was probably about 10 or 11, and I found it was simply something I could do. When you're at school and you do something and you get praised for it, you think, Oh, right, well I'll do that. From then on, I always thought I'd be a writer. I thought novels at first, and then I sort of naturally drifted into TV.
Steven Knight
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If you've read something brilliant, it's good. It's good to look out the window and see what's going on in the world.
Steven Knight
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[2015] it's a time that there's a clash of ideologies, similar to the Cold War. I think that a story like this has been waiting to be told, and I think it's a fresh look at the whole earth-shattering business of the collapse of the Soviet Union.
Steven Knight
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I'm very bad at watching anything. I'm bad at going to theaters I can't watch my own stuff I watch a lot of sports.
Steven Knight
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There [in Allied] was depicting London in the war, as well, and doing that in a way where you see something that you don't normally see, which is how hedonistic it was. In reality, that's what was going on. But, all of it worked.
Steven Knight
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In terms of how [Allied] looks, it's fantastic and much better than I had hoped because it's so lush and so beautifully executed.
Steven Knight
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You work, especially in the movie business more than in TV, but you have an environment where people feel obliged to have an input because that's what they do, and I think sometimes it can clutter things up and make things more problematic.
Steven Knight
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I spoke to Tom's [Hardy] manager and said, While we're talking about Taboo, do you mind if I also mention this film project that I've got, which is called Locke, and I need Tom to play the lead. And we spoke about both in that meeting and in the end the deal was that I would do Taboo if he did Locke and vice versa.
Steven Knight
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In other words, when you have someone [like Ridley Scott] with that authority, then you tend to be left alone. But they were good and they're really good people, and I'm a big champion of the BBC and I think that like minds find each other and I think that FX and BBC is a perfect match.
Steven Knight
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East India Company were a huge multinational that had the added impetus that they felt they were spreading Christian civilization around the world - so they were pretty free to do anything they wanted.
Steven Knight
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I find the best way to make things real is to just put two characters into a space and let them talk to each other in the way that they would talk to each other, and then see what they would say. I know it sounds weird, but that leads the plot and takes you in another direction.
Steven Knight
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The plan is that there would be three seasons [in Taboo], and, as with Peaky Blinders, I have had a destination in mind from the beginning, because I think it helps as a writer. The destination in mind is that James Keziah Delaney sets foot on Nootka Sound. But that's a long way off.
Steven Knight
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There's something about the evolution of television where it evolved from to the things that we're now watching and loving. It evolved from film writers, film actors, and I think gradually people are easing themselves into the amount of time they have.
Steven Knight
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I wouldn't put myself in that bracket, but it's one of those things. I think what helps is that we [with Tom Hardey] don't socialize, we don't really know each other, we purely work together.
Steven Knight
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[Taboo] has been exactly the same as working with the BBC in that creatively they do that precious thing which is to only make a comment when a comment needs to be made.
Steven Knight
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I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around.
Steven Knight
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[The Girl in the Spider's Web] can't be anything other than a sequel, but a couple of books have been skipped, so it is different, in that sense. It's really taking a very strong central character and thinking, how do you execute this? It's quite different.
Steven Knight
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[Allied] meant to be a film that's a bit different. It's roots are in the '40s and '50s, and that sort of filmmaking style.
Steven Knight
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With any period piece I think the thing to do is forget that it's not contemporary when you're writing and to have the characters feel as much as possible like characters that you would know.
Steven Knight
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East India Company weren't an evil organization that went around deliberately oppressing people, but they were driven by profit, and how familiar is that now?
Steven Knight