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When Brad [Pitt] responded [to Allied], suddenly what was impossible became possible, which was great. But along the way, whenever I told the story, it had an affect on people. At its core, this was an effective story.
Steven Knight
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Steven Knight
Age: 65
Born: 1959
Born: August 5
Executive Producer
Film Director
Screenwriter
Birmingham
West Midlands
Great
Core
Pitt
Way
Became
Allied
People
Along
Responded
Told
Brad
Impossible
Affect
Possible
Effective
Story
Suddenly
Stories
Whenever
More quotes by Steven Knight
I didn't direct [the Taboo episodes]. I wrote all of them.
Steven Knight
There [in Allied] was depicting London in the war, as well, and doing that in a way where you see something that you don't normally see, which is how hedonistic it was. In reality, that's what was going on. But, all of it worked.
Steven Knight
[Allied] meant to be a film that's a bit different. It's roots are in the '40s and '50s, and that sort of filmmaking style.
Steven Knight
The plan is that there would be three seasons [in Taboo], and, as with Peaky Blinders, I have had a destination in mind from the beginning, because I think it helps as a writer. The destination in mind is that James Keziah Delaney sets foot on Nootka Sound. But that's a long way off.
Steven Knight
You work, especially in the movie business more than in TV, but you have an environment where people feel obliged to have an input because that's what they do, and I think sometimes it can clutter things up and make things more problematic.
Steven Knight
It's always good to have a world that people don't know about - a world that hasn't yet been done. It's like treading on fresh snow. You're the first one there.
Steven Knight
East India Company weren't an evil organization that went around deliberately oppressing people, but they were driven by profit, and how familiar is that now?
Steven Knight
I'm not suggesting that ours [series] is unique in that, but they can begin to have that depth, that gravity, they can spend some time, so it's a bit more like reading a good novel, if you like.
Steven Knight
I think that helps because there has been no formality of friendship, the politeness of friendship, so we can just work directly on the work that's ahead of us [with Tom Hardey].
Steven Knight
[Taboo] has been exactly the same as working with the BBC in that creatively they do that precious thing which is to only make a comment when a comment needs to be made.
Steven Knight
No screenplay is possible, unless you get some attachment from somebody who's going to get it made.
Steven Knight
I find the best way to make things real is to just put two characters into a space and let them talk to each other in the way that they would talk to each other, and then see what they would say. I know it sounds weird, but that leads the plot and takes you in another direction.
Steven Knight
I wouldn't put myself in that bracket, but it's one of those things. I think what helps is that we [with Tom Hardey] don't socialize, we don't really know each other, we purely work together.
Steven Knight
I think the East India Company represents what we would think of as a very modern approach to the world where everything was counted, every penny was counted.
Steven Knight
When you're watching, I find two things happen. You either watch a film and it's really good and then you think, Why can't I do that? Or you watch a film and it's not good, and you think, Why am I doing this? So either way, it feels like being at work.
Steven Knight
I must have been about 11 when I read the book Bury My Heart at Wounded Knee, which I read, over and over again.
Steven Knight
I am someone who thinks that if you've got an actor like that who wants to perform your work, then you should do it, and hopefully Tom [Hardey] likes to do the work that I do, so long may it continue.
Steven Knight
With any period piece I think the thing to do is forget that it's not contemporary when you're writing and to have the characters feel as much as possible like characters that you would know.
Steven Knight
There were three options [in Allied], which were for [Bred Pitt] to shoot [Marion Cotillard], for them to escape, or for her to pull the trigger, which is a heroic act to spare him. When I was thinking about how it would end, a long time ago, I think I tried each of them to see, but two of them did not work.
Steven Knight
I wanted to take a damaged individual in a damaged society with damaged relationships between nations and take a look at how this individual survives amongst them, and that for me as a writer is the connection that you needed to get inside the skin of the main character and wonder how he's going to cope with all this.
Steven Knight
