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When Brad [Pitt] responded [to Allied], suddenly what was impossible became possible, which was great. But along the way, whenever I told the story, it had an affect on people. At its core, this was an effective story.
Steven Knight
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Steven Knight
Age: 65
Born: 1959
Born: August 5
Executive Producer
Film Director
Screenwriter
Birmingham
West Midlands
Possible
Effective
Story
Suddenly
Stories
Whenever
Great
Core
Pitt
Way
Became
Allied
People
Along
Responded
Told
Brad
Impossible
Affect
More quotes by Steven Knight
In other words, when you have someone [like Ridley Scott] with that authority, then you tend to be left alone. But they were good and they're really good people, and I'm a big champion of the BBC and I think that like minds find each other and I think that FX and BBC is a perfect match.
Steven Knight
I think it creates so many more opportunities and pitfalls in that you are treading on fresh snow, so you're in a new place.
Steven Knight
I wanted to take a damaged individual in a damaged society with damaged relationships between nations and take a look at how this individual survives amongst them, and that for me as a writer is the connection that you needed to get inside the skin of the main character and wonder how he's going to cope with all this.
Steven Knight
In terms of how [Allied] looks, it's fantastic and much better than I had hoped because it's so lush and so beautifully executed.
Steven Knight
When I was probably about 10 or 11, and I found it was simply something I could do. When you're at school and you do something and you get praised for it, you think, Oh, right, well I'll do that. From then on, I always thought I'd be a writer. I thought novels at first, and then I sort of naturally drifted into TV.
Steven Knight
I didn't direct [the Taboo episodes]. I wrote all of them.
Steven Knight
Suddenly, after years of television being the poor relation and film being everything, it now feels like film is a conjuring trick. It's like, Oh, my god, how are you going to do that in 90 minutes, as opposed to eight hours?! I've got so little time to do this! It becomes an art form, in itself. Doing both helps you do each one.
Steven Knight
I'm not suggesting that ours [series] is unique in that, but they can begin to have that depth, that gravity, they can spend some time, so it's a bit more like reading a good novel, if you like.
Steven Knight
[The Girl in the Spider's Web] can't be anything other than a sequel, but a couple of books have been skipped, so it is different, in that sense. It's really taking a very strong central character and thinking, how do you execute this? It's quite different.
Steven Knight
I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around.
Steven Knight
There were three options [in Allied], which were for [Bred Pitt] to shoot [Marion Cotillard], for them to escape, or for her to pull the trigger, which is a heroic act to spare him. When I was thinking about how it would end, a long time ago, I think I tried each of them to see, but two of them did not work.
Steven Knight
What I wanted to do [in Allied] was get two characters who fall in love for real, across the barricade, and then it transcends the war.
Steven Knight
With any period piece I think the thing to do is forget that it's not contemporary when you're writing and to have the characters feel as much as possible like characters that you would know.
Steven Knight
There's something about the evolution of television where it evolved from to the things that we're now watching and loving. It evolved from film writers, film actors, and I think gradually people are easing themselves into the amount of time they have.
Steven Knight
Just the idea that someone is married and they've got a kid, and he reports for work one morning and his boss says, You're wife is a spy. Shoot her. In the real story, he just went back and did it, which would have been a short film. Therefore, I had to spend some time exploring what you would do.
Steven Knight
I like to create a character where you believe, deep down, that they don't really care if they live or die. That's very liberating for the character because, if the character is prepared to die, then they can do anything. It's impossible to stop them.
Steven Knight
I spoke to Tom's [Hardy] manager and said, While we're talking about Taboo, do you mind if I also mention this film project that I've got, which is called Locke, and I need Tom to play the lead. And we spoke about both in that meeting and in the end the deal was that I would do Taboo if he did Locke and vice versa.
Steven Knight
I wouldn't put myself in that bracket, but it's one of those things. I think what helps is that we [with Tom Hardey] don't socialize, we don't really know each other, we purely work together.
Steven Knight
I've spent three hours with Snoop Dogg, talking about how he loved [Peaky Blinders series]. And David Bowie loved it. The late Leonard Cohen was a fan. It struck a chord with various people that I didn't think it would.
Steven Knight
When you're watching, I find two things happen. You either watch a film and it's really good and then you think, Why can't I do that? Or you watch a film and it's not good, and you think, Why am I doing this? So either way, it feels like being at work.
Steven Knight
