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When Frank Zappa would get an idea for a song, he just did it. He didn't wait for anybody or expect anyone to do it.

Steve Vai

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Steve Vai
Age: 64
Born: 1960
Born: June 6
Actor
Composer
Guitarist
Musician
Record Producer
Songwriter
Carle Place
New York
Didn
Frank
Ideas
Wait
Would
Expect
Anybody
Waiting
Anyone
Idea
Song
Zappa

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You know, there's times when you should play and there's times when you gotta hold back.
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When I was growing up, the blues did seem too simple to me. I was just a muso.
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Find what you're best at and exaggerate it.
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A lot of those little things that I really like doing are just moments of cool articulation, just little moments of phrasing that probably go over everybody's head.
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I'm always pursuing knowledge I'm a seeker of spiritual equilibrium - and music is a big part of that.
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The classical guitar has a dynamic to it unlike a regular acoustic guitar or an electric guitar. You know, there's times when you should play and there's times when you gotta hold back. It's an extremely dynamic instrument.
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I awake, I meditate, get the kids off to school, go to the gym, go to the Favored Nations office, and usually at around 1 pm I'm home and do music the rest of the day.
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Ray and I do not draw salaries. Any profits will be re-invested into marketing the music we believe in.
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Jeff Beck is compelled by his inner artistic drive to keep evolving the instrument. He'll use the whammy bar with the volume knob and the tone control all at the same time - creating harmonics that no human being should be able to hit.
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A good solo is like a book. It will start out in a phrase, it will go on in paragraphs, and then it will have a great ending.
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My past is very interesting, and I treasure it, but to write about it, it's just not on my radar.
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That's the thing about great artists: They find the thing that's most obvious to themselves, what's most conscious and natural, and they put it out there and the audience comes.
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I have an independent record label called Favored Nations on which I released an album by an artist called Johnny A, who plays an arch top Gibson through a Marshall, but the tone is all in his fingers.
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If I remain true to what's in my heart, that's all the success I need.
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I've never really heard anybody imitating anything of mine the way they do with Edward Van Halen's stuff.
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I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.
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I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
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Possessing a healthy imagination is a necessary ingredient for creativity.
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I think the thing that I got most from working with Frank Zappa is that I was able to see someone who completely independent. The most beautiful thing about Frank was that he was completely in the moment and present and eternally creative.
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I was a kid, 12 or something, when the Partridge Family was big on TV. I liked the curly cord running from the bass to the amps, which were real fancy. That cord looked so cool. I said, 'Wow! I gotta play something like that!'
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