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Possessing a healthy imagination is a necessary ingredient for creativity.

Steve Vai

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Steve Vai
Age: 64
Born: 1960
Born: June 6
Actor
Composer
Guitarist
Musician
Record Producer
Songwriter
Carle Place
New York
Possessing
Ingredients
Necessary
Creativity
Healthy
Imagination
Ingredient

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The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.
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My past is very interesting, and I treasure it, but to write about it, it's just not on my radar.
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I'm always pursuing knowledge I'm a seeker of spiritual equilibrium - and music is a big part of that.
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Most of my records are very dense, composition-heavy, and there's bits of different kinds of music like an acoustic ballad, instrumental trio pieces, and vocal tracks.
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When I was growing up, the blues did seem too simple to me. I was just a muso.
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I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.
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It's very hard to come across as a passionate human being in print. People can't hear the inflections in your voice.
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Besides being a guitar player, I'm a big fan of the guitar. I love that damn instrument.
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We may be human, but we're still animals.
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That's the thing about great artists: They find the thing that's most obvious to themselves, what's most conscious and natural, and they put it out there and the audience comes.
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I loved the guitar, and I had all of this music in my head. My passion for the guitar and the ideas for what I could create musically were equal. So that's where I was.
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It is only the most elite of elite musicians whose unconventional approach becomes convention.
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So that's the challenge for me and that has always been the challenge - finding that melody, that riff, that thing that just lights me up and makes me feel like it's Christmas.
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If you want to play something that you hear, you need to listen with your mind's eye. You've heard of the mind's eye, right? Your mind has an ear too. It's a kind of listening, but it's not using your ears to listen. It's listening with your inner ear, and that's what you want to translate onto the guitar.
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When I was young, I wasn't a misfit or anything. I had friends in all the different social groups. But I had issues - just personal issues, insecurities and other things that had happened in my life.
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I think the thing that I got most from working with Frank Zappa is that I was able to see someone who completely independent. The most beautiful thing about Frank was that he was completely in the moment and present and eternally creative.
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When you get down to it, the way that the music affects you individually is the most important thing, and when you let things like the location of a band get in the way or have an effect on your overview, you're cheating yourself out of a really good time.
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As a musician, I look for certain things that stimulate me. And what I look for is something that's an evolution on a particular genre that I never heard before.
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Jeff Beck is compelled by his inner artistic drive to keep evolving the instrument. He'll use the whammy bar with the volume knob and the tone control all at the same time - creating harmonics that no human being should be able to hit.
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