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The classical guitar has a dynamic to it unlike a regular acoustic guitar or an electric guitar. You know, there's times when you should play and there's times when you gotta hold back. It's an extremely dynamic instrument.

Steve Vai

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Steve Vai
Age: 64
Born: 1960
Born: June 6
Actor
Composer
Guitarist
Musician
Record Producer
Songwriter
Carle Place
New York
Times
Electric
Back
Regular
Play
Gotta
Instrument
Acoustic
Extremely
Acoustics
Instruments
Dynamic
Guitar
Classical
Hold
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As a musician, I look for certain things that stimulate me. And what I look for is something that's an evolution on a particular genre that I never heard before.
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So that's the challenge for me and that has always been the challenge - finding that melody, that riff, that thing that just lights me up and makes me feel like it's Christmas.
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I awake, I meditate, get the kids off to school, go to the gym, go to the Favored Nations office, and usually at around 1 pm I'm home and do music the rest of the day.
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It's very hard to come across as a passionate human being in print. People can't hear the inflections in your voice.
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All musicians practice ear training constantly, whether or not they are cognizant of it. If, when listening to a piece of music, a musician is envisioning how to play it or is trying to play along, that musician is using his or her 'ear' - the understanding and recognition of musical elements - for guidance.
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I have an independent record label called Favored Nations on which I released an album by an artist called Johnny A, who plays an arch top Gibson through a Marshall, but the tone is all in his fingers.
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I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.
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I'm always pursuing knowledge I'm a seeker of spiritual equilibrium - and music is a big part of that.
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That's the thing about great artists: They find the thing that's most obvious to themselves, what's most conscious and natural, and they put it out there and the audience comes.
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It is only the most elite of elite musicians whose unconventional approach becomes convention.
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You know, there's times when you should play and there's times when you gotta hold back.
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The cool thing about playing is that the more you do it, the better you get.
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Possessing a healthy imagination is a necessary ingredient for creativity.
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Most people are fascinated to see someone play an instrument in an inspired way. We are moved by witnessing musical brilliance, and it was this notion that led me to purchase the GuitarTV domain 10 years ago.
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The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.
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I've been approached many times to write all sorts of books about my past and my personal life. I get interest from people who want to do reality shows, and somebody just offered me a huge amount of money to write my spiritual memoirs. I'm just not interested.
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I think every artist subconsciously wants to evolve themselves. Sometimes they get stuck in ruts because of pop culture, peer pressure, stuff like that. But what excites me most is exploring my own musical insights and expanding upon them.
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What I look for in music is artistry, sincerity, and simplicity, and Tom Waits has all of that. I want to make a connection to the creator.
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Reps once took chances on art, History's most treasured musicians were believed in and cultivated to reach their potential. Today, it would be difficult for those musicians to get deals.
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When I was growing up, the blues did seem too simple to me. I was just a muso.
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