Quote

I dont really have an office or anything, and I like to have to move location every two hours. So I just kind of write in a park, on a bench, in the library, in a cafe, back to the library, that kind of thing.

Steve Toltz

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Steve Toltz
Age: 53
Born: 1972
Born: January 1
Novelist
Writer
Sydney
NSW
Stephen Toltz
Kind
Moving
Park
Really
Write
Location
Like
Two
Dont
Anything
Parks
Back
Library
Cafe
Writing
Office
Cafes
Thing
Move
Bench
Every
Hours
Benches

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As an artist you can use your own discomfort and neuroses and difficulties and at least transform them into something else. Without that you're just neurotic and uncomfortable.
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Generally as a rule I am not. Unless I am super in love with a particular author, because I just want to read masterpieces. I just want to read one amazing book after another. As a completist you are generally reading the bad ones.
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We're always sick and we just don't know it. What we mean by health is only when our constant physical deterioration is undetectable.
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Sometimes not talking is effortless, and other times it’s more exhausting than lifting pianos.
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Sometimes they [people] throw off their freedom so quickly, you'd think it was burning them.
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Don't be afraid to have nothing.
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After all, memory may be the only thing on earth we can truly manipulate to serve us, so we don't have to look back at ourselves in the receding past and think, What an arsehole!
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I actually went into writing first to supplement my income, which was a strange thing to do and actually failed.
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I enjoy being influenced by other writers.
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We were on our way to the twentieth floor, sharing the elevator with two suits that had men inside them.
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Friendships are an unforseeable burden.
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I think that's the real loss of innocence: the first time you glimpse the boundaries that will limit your potential.
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What a nasty act of cruelty, giving a dying man his last wish. Don't you realize he doesn't want it? His real wish is not to die.
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Or about how when you're a child, to stop you from following the crowd you're assaulted with the line If everyone jumped off a bridge, would you? but when you're an adult and to be different is suddenly a crime, people seem to be saying, Hey. Everyone else is jumping off a bridge. Why aren't you?
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On the one hand I'm writing about somebody about whom I say in the book, The only thing worse than being a statistic is being a statistical anomaly. So I'm writing about a particularly unlucky person. So that's a special type of hell, to be particularly unlucky.
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I haven't been part of the criminal world.
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The game is an analogy for life: there are not enough chairs or good times to go around, not enough food, not enough joy, nor beds nor jobs nor laughs nor friends nor smiles nor money nor clean air to breathe...and yet the music goes on.
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The universe doesn't really care if you bounce back. It doesn't feel that weird to write about paralysis or being in hospital or losing a child or, you know, splitting up with your wife, because that's just life.
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...I wondered if it was blasphemous to tell God that rainbows are kitsch.
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