Quote

I dont really have an office or anything, and I like to have to move location every two hours. So I just kind of write in a park, on a bench, in the library, in a cafe, back to the library, that kind of thing.

Steve Toltz

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Steve Toltz
Age: 52
Born: 1972
Born: January 1
Novelist
Writer
Sydney
NSW
Stephen Toltz
Like
Two
Dont
Anything
Parks
Back
Library
Cafe
Writing
Office
Cafes
Thing
Move
Bench
Every
Hours
Benches
Kind
Moving
Park
Really
Write
Location

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When we finished the kiss she said laughing, I can taste your loneliness - it tastes like vinegar. That annoyed me. Everyone knows loneliness tastes like cold potato soup.
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On the one hand I'm writing about somebody about whom I say in the book, The only thing worse than being a statistic is being a statistical anomaly. So I'm writing about a particularly unlucky person. So that's a special type of hell, to be particularly unlucky.
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The game is an analogy for life: there are not enough chairs or good times to go around, not enough food, not enough joy, nor beds nor jobs nor laughs nor friends nor smiles nor money nor clean air to breathe...and yet the music goes on.
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You experience life alone, you can be as intimate with another as much as you like, but there has to be always a part of you and your existence that is incommunicable you die alone, the experience is yours alone, you might have a dozen spectators who love you, but your isolation, from birth to death, is never fully penetrated.
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We're always sick and we just don't know it. What we mean by health is only when our constant physical deterioration is undetectable.
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[I'll teach you] how not to leave the windows of your heart open when it looks like rain and how everyone has a stump where something necessary was amputated.
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Regrets came up and asked me if I’d like to own them. Declined them for the most part but took a few just so I wouldn’t leave this relationship empty handed.
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Don't be afraid to have nothing.
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I think that's the real loss of innocence: the first time you glimpse the boundaries that will limit your potential.
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I actually went into writing first to supplement my income, which was a strange thing to do and actually failed.
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As an artist you can use your own discomfort and neuroses and difficulties and at least transform them into something else. Without that you're just neurotic and uncomfortable.
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When you put so much effort to forget someone, the effort itself becomes a memory. Then you have to forget the forgetting, and that too is memorable.
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Friendships are an unforseeable burden.
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Generally as a rule I am not. Unless I am super in love with a particular author, because I just want to read masterpieces. I just want to read one amazing book after another. As a completist you are generally reading the bad ones.
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What a nasty act of cruelty, giving a dying man his last wish. Don't you realize he doesn't want it? His real wish is not to die.
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The universe doesn't really care if you bounce back. It doesn't feel that weird to write about paralysis or being in hospital or losing a child or, you know, splitting up with your wife, because that's just life.
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After all, memory may be the only thing on earth we can truly manipulate to serve us, so we don't have to look back at ourselves in the receding past and think, What an arsehole!
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