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I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's up to you, the only limit is the imagination.

Steve Lacy

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Steve Lacy
Years
Astounding
Saxophone
Limit
Possibilities
Limits
Possibility
Imagination
Soprano
Working
Sopranos

More quotes by Steve Lacy

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The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity.
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Register is very important. Music sounds best in a certain register.
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Circumstances can be very important. Find the right people to work with.
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In composition you have all the time you want to decide what to say in 15 seconds, in improvisation you have 15 seconds.
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Saxophone is one thing, and music is another.
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The potential for the saxophone is unlimited.
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A young pianist & composer who has demonstrated an exceptional creativity, in both his playing & his writing, as well as showing us all, his very strong commitment & motivation to aim for high musical goals. Talent like his is rare.
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I started in New Orleans music and played all through the history of jazz.
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I still love the whole history of Jazz. The old things sound better than ever.
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I heard Sidney Bechet play a Duke Ellington piece and fell in love with the soprano saxophone.
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If you listen to Louis Armstrong from 1929, you will never hear anything better than that really, and you will never hear anything more free than that.
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I wanted to be a pianist but it just wasn't my thing. I guess I wanted to stand up rather than sit down.
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Nobody was playing the soprano saxophone and certainly nobody was trying to do anything with it. So I was all alone. I didn't know that at first.
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Kenny G, I have to be grateful to him for proving that the instrument can be played all different kinds of ways.
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It's very important to go through periods where you sound just rotten and you know it, and you have to persevere or give up.
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Before the work comes to you, you have to invent work.
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Jazz is like wine. When it is new it's only for the experts, but when it gets older everybody wants it.
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When I found the music of Monk I finally found music that fit that horn. Every one of his tunes fit it perfectly.
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There is an awful lot of what I call recreational jazz going on, where people go out and learn a particular language or style and become real sharks on somebody else's language.
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What I learned with Cecil Taylor was strategy and survival and how to resist temptations and resist getting discouraged.
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