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You can work on the saxophone alone, but ultimately you must perform with others.
Steve Lacy
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Steve Lacy
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More quotes by Steve Lacy
Jazz is people's music, a collectivity.
Steve Lacy
A young pianist & composer who has demonstrated an exceptional creativity, in both his playing & his writing, as well as showing us all, his very strong commitment & motivation to aim for high musical goals. Talent like his is rare.
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The potential for the saxophone is unlimited.
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Bamboo is not a weed, it's a flowering plant. Bamboo is a magnificent plant.
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Saxophone is one thing, and music is another.
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I heard Sidney Bechet play a Duke Ellington piece and fell in love with the soprano saxophone.
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When I found the music of Monk I finally found music that fit that horn. Every one of his tunes fit it perfectly.
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There is an awful lot of what I call recreational jazz going on, where people go out and learn a particular language or style and become real sharks on somebody else's language.
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The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity.
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Whoever has an original thing to say, it is sort of a threat to the status quo.
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Before the work comes to you, you have to invent work.
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I started in New Orleans music and played all through the history of jazz.
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I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's up to you, the only limit is the imagination.
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A jazz musician is a combination orator, dialectician, mathematician, athlete, entertainer, poet, singer, dancer, diplomat, educator, student, comedian, artist, seducer, public masturbator, and general all-round good fellow.
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I wanted to be a pianist but it just wasn't my thing. I guess I wanted to stand up rather than sit down.
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Kenny G, I have to be grateful to him for proving that the instrument can be played all different kinds of ways.
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What I learned with Cecil Taylor was strategy and survival and how to resist temptations and resist getting discouraged.
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If you listen to Louis Armstrong from 1929, you will never hear anything better than that really, and you will never hear anything more free than that.
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If you have music you want to play that no one asks you to play, you have to go out and find where you can play it. It's called do or die.
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Register is very important. Music sounds best in a certain register.
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