We'd go out in Larry's hippie van and drive out all around Dallas. He loved Chinese food, he'd go in and say. Remember me Major Nelson, me and my friends here are making this show called Dallas, have you got a table for us? It would work every time.

One thing that took a while to really adjust to was, you do it for the the art, for the money, for being together and having a good time, but you do it for all those people out there who really care about the show. We are now talking about a show we did over 20 years ago.

The best part of being on a television series for all those years is that you really get to hone your craft.

I grew up with the television product being old Western serials like Roy Rogers, and John Wayne and Gary Cooper, and many others were my favorites when I was a young person going to films.

I had a traditional interview based on a phone call from an agent. He says there's a show and they would like to see you and its called Dallas. With very little knowledge I go over to this meeting at Warner Brothers.

When a show becomes a mega hit internationally, you lose a lot of privacy, you become a hider. It's not a human condition we are exposed to very often.

If you stay in this business long enough, you're liable to hit it big.

I came in with my idea of what a cowboy would wear, but then I met some real cowboys and they said that I rode the horses well, shoed the horses, but no good cowboy would be wearing a pair of Levi's. I had to get a good old pair of Wranglers.