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When I was a student I was very, very ambitious, completely immersed in my comedy career. I never had that period of reckless hedonism that you should get out of your system in your youth.

Steve Coogan

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Steve Coogan
Age: 59
Born: 1965
Born: October 14
Actor
Autobiographer
Comedian
Composer
Film Actor
Film Producer
Screenwriter
Stage Actor
Television Actor
Middleton
Greater Manchester
Stephen John Coogan
Careers
Ambitious
Comedy
Student
System
Period
Never
Periods
Career
Completely
Hedonism
Students
Immersed
Youth
Reckless

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What terrifies me is that I might somehow endorse that view so people think they don't have to read books anymore.
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I like the transience of Klimt paintings.
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I am lucky to be in a profession that is not age dependent.
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I always find it easier to portray myself as being unlikeable and idiotic to actually play a character that is likeable and engages the audience is far more difficult. It's a more subtle kind of challenge.
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I enjoy comedy but it can become wearisome.
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When it comes to morality, I'd rather have an unfaithful president like Bill Clinton, who tried to reform welfare, than a faithful George Bush who propagated an illegal war on the rest of the world. So that is where my morality stands.
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Sadly, I can't say the same for my Father, who is probably in a different place - Hell.
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When I play myself, I want to be a slightly better person. It just agrees. Everything I play about myself is kind of true, but it's amplified. We all edit, don't we? If you're self-aware, you stop yourself - you know how to behave properly.
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In my mind God made Adam and Eve, he didn't make Adam and Steve.
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The trick is always to write in pairs because if at least two people find it funny, you've immediately halved the odds of it not being funny.
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I'm a huge fan of Jack Lemmon, he was someone who managed to tread that line between comedy and tragedy and sometimes give very big performances, but they were never over-demonstrative and they were never not based on a kind of real truthful human being.
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The best feeling in the world is performing in front of a live audience who like what you're doing. I can understand why people become dictators just because of the thrill they get making the speeches.
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I have never wanted to be famous, as such - fame is a by-product.
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If you are a great dramatic actor then you often don't know if people are enjoying your stuff at all because they are sitting there in silence. But with comedy it's a simple premise. If it's funny, people laugh. If it's not, they don't.
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There is a strong ethical dimension to the best comedy. Not only does it avoid reinforcing prejudices, it actively challenges them.
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I think it's always funny when you see kids do Shakespeare. When I was at school, I was in Hamlet. I played Claudius, who's supposed to be a 60-year-old man, and I was like 18. It's inherently ridiculous seeing 18-year-old boys with gray beards. That's always funny.
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Knowing about comedy has helped me with the drama. To see people laugh, it's like there are moments of catharsis in the middle of sadness.
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If you start to disrespect the character you're playing, or play it too much for laughs, that can work for a sketch, it will sell some gags, but it's all technique. It's like watching a juggler - you can be impressed by it, but it's not going to touch you in any way.
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If the person who can effectively sanction ill-conceived wars can play the electric guitar, which is a symbol of rebellion, then that whole worldview becomes confused.
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In England, I've done a whole bunch of stuff where I just make a complete ass of myself. I've been doing it for 20 years, so I just gravitate toward it anyway. I'd rather do that than do the stuff where I'm supposed to be trying to look cool in some way. It's more interesting to me.
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