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There is a strong ethical dimension to the best comedy. Not only does it avoid reinforcing prejudices, it actively challenges them.

Steve Coogan

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Steve Coogan
Age: 59
Born: 1965
Born: October 14
Actor
Autobiographer
Comedian
Composer
Film Actor
Film Producer
Screenwriter
Stage Actor
Television Actor
Middleton
Greater Manchester
Stephen John Coogan
Doe
Dimension
Best
Dimensions
Ethical
Prejudice
Avoid
Comedy
Reinforcing
Challenges
Actively
Strong
Prejudices

More quotes by Steve Coogan

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To me, most theatre looks ridiculous. I find it very difficult to do. Personally, if I ever try to do serious stuff, I always end up looking like an asshole, so I might as well try and do comedy, because I'm good at that.
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When you tour you become more intimate with your audience. It's like I need reassurance that they like me or at least find me relevant. And that I can still do it.
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Most of all I don't want to be bored. That's why I'd rather do something that has some sort of ambition, that risks failing, rather than make safer, more comfortable choices.
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I happen to have a public profile. Ditto newspaper editors. It's a result of what I do, not an end.
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I woke with a start. At first I assumed I'd trumped myself awake again.
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I think it's always funny when you see kids do Shakespeare. When I was at school, I was in Hamlet. I played Claudius, who's supposed to be a 60-year-old man, and I was like 18. It's inherently ridiculous seeing 18-year-old boys with gray beards. That's always funny.
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I like to do movies that provoke rather than reinforce conservative values.
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When I was a student I was very, very ambitious, completely immersed in my comedy career. I never had that period of reckless hedonism that you should get out of your system in your youth.
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I don't like comedy that I think is bad comedy, where people are trying to be sick for the sake of it, where there's no intellectual point behind it. I like stuff that's got an underlying point of view.
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I want my work to be judged, not me.
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I don't go to premieres, unless I'm contractually bound to.
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Convoy? Michael, you're hanging around with a man who uses a collective term for a single vehicle.
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I have never wanted to be famous, as such - fame is a by-product.
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If you start to disrespect the character you're playing, or play it too much for laughs, that can work for a sketch, it will sell some gags, but it's all technique. It's like watching a juggler - you can be impressed by it, but it's not going to touch you in any way.
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It's arguably the best newspaper in the world.
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If you are a great dramatic actor then you often don't know if people are enjoying your stuff at all because they are sitting there in silence. But with comedy it's a simple premise. If it's funny, people laugh. If it's not, they don't.
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I'm a single guy now and can do what I like. As my agent said, so long as it's not a live man or a dead woman, I'll be fine. And that, hand on heart, is unlikely to happen.
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Actually, bizarrely, in America, I get more appreciation from the odd, unusual stuff I've done, almost because I'm not, if you like, famous in America as I am in England.
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I enjoy comedy but it can become wearisome.
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Me, myself, personally, I like to keep myself private. I have never said I am a paragon of virtue, a model of morality. I simply do what I do.
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