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As soon as I see period costume, I turn off. It's like hearing drama on Radio 4.

Steve Coogan

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Steve Coogan
Age: 59
Born: 1965
Born: October 14
Actor
Autobiographer
Comedian
Composer
Film Actor
Film Producer
Screenwriter
Stage Actor
Television Actor
Middleton
Greater Manchester
Stephen John Coogan
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Hearing
Radio
Drama
Periods
Soon
Turn
Costume
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Costumes

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If the person who can effectively sanction ill-conceived wars can play the electric guitar, which is a symbol of rebellion, then that whole worldview becomes confused.
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I think if you try to look for something to show off as an actor, vanity can get the better of you.
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I'm 47, my girlfriend's 33 she's 14 years younger than me: Back of the net!
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Hacking into a victim of crime's phone is a sort of poetically elegant manifestation of a modus operandi the tabloids have.
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I'm just attracted to playing people who are ostensible unlikable. That's not to say that there's something in there that makes you care. It might be that you just find them so awful that you just can't stop watching, like a car crash.
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Yeah, all drama teachers are very effusive, very demonstrative, very emotionally open, very big, and gesticulate a lot, and are very physical.
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Going to a grammar school, you mixed with all sorts of different types and I used to listen to how they talked. When I did my imitations, I could sound like someone really rough, or I could sound like a cabinet minister.
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There is a strong ethical dimension to the best comedy. Not only does it avoid reinforcing prejudices, it actively challenges them.
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I like the British public. There is something in this country called tall poppy syndrome. You're good but you're not that good, pal, OK? The natural state of our nation is slightly miserable, and probably the healthier for it. In America you don't get a key down the side of your Bentley.
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When you tour you become more intimate with your audience. It's like I need reassurance that they like me or at least find me relevant. And that I can still do it.
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Convoy? Michael, you're hanging around with a man who uses a collective term for a single vehicle.
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Sadly, I can't say the same for my Father, who is probably in a different place - Hell.
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Most of all I don't want to be bored. That's why I'd rather do something that has some sort of ambition, that risks failing, rather than make safer, more comfortable choices.
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Look at all those American preachers who got caught with their pants down. They say one thing and they are doing another. I try to be more honest about it, both in my thinking and my behavior.
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I think it's always funny when you see kids do Shakespeare. When I was at school, I was in Hamlet. I played Claudius, who's supposed to be a 60-year-old man, and I was like 18. It's inherently ridiculous seeing 18-year-old boys with gray beards. That's always funny.
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When I was a student I was very, very ambitious, completely immersed in my comedy career. I never had that period of reckless hedonism that you should get out of your system in your youth.
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I've always been drawn to discomfort and that limbo of unease you get between comedy and tragedy.
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When I play myself, I want to be a slightly better person. It just agrees. Everything I play about myself is kind of true, but it's amplified. We all edit, don't we? If you're self-aware, you stop yourself - you know how to behave properly.
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I am lucky to be in a profession that is not age dependent.
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What tends to happen in most movies is that strip clubs are used as a short hand for unsympathetic, sleazy people. And that's just a lazy cliché.
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