Quote

The trick is always to write in pairs because if at least two people find it funny, you've immediately halved the odds of it not being funny.

Steve Coogan

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Steve Coogan
Age: 59
Born: 1965
Born: October 14
Actor
Autobiographer
Comedian
Composer
Film Actor
Film Producer
Screenwriter
Stage Actor
Television Actor
Middleton
Greater Manchester
Stephen John Coogan
People
Tricks
Least
Funny
Write
Halved
Two
Trick
Find
Pairs
Writing
Odds
Always
Immediately

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I am lucky to be in a profession that is not age dependent.
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I don't go to premieres, unless I'm contractually bound to.
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That was liquid football
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When I play myself, I want to be a slightly better person. It just agrees. Everything I play about myself is kind of true, but it's amplified. We all edit, don't we? If you're self-aware, you stop yourself - you know how to behave properly.
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When I see friends from school I think they've all grown old and I've stayed the same.
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The great thing is that the funny side of getting old is fuel for my comedy.
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Me, myself, personally, I like to keep myself private. I have never said I am a paragon of virtue, a model of morality. I simply do what I do.
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If it was just the potatoes that were affected, at the end of the day you will pay the price if you're a fussy eater.
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The fundamentalists are insistent that they know best. It's a dictatorial attitude towards personal morality, which is a modern creation that came about in the 19th century.
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I happen to have a public profile. Ditto newspaper editors. It's a result of what I do, not an end.
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I like the British public. There is something in this country called tall poppy syndrome. You're good but you're not that good, pal, OK? The natural state of our nation is slightly miserable, and probably the healthier for it. In America you don't get a key down the side of your Bentley.
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I like the transience of Klimt paintings.
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I don't like comedy that I think is bad comedy, where people are trying to be sick for the sake of it, where there's no intellectual point behind it. I like stuff that's got an underlying point of view.
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Most of all I don't want to be bored. That's why I'd rather do something that has some sort of ambition, that risks failing, rather than make safer, more comfortable choices.
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When I was a student I was very, very ambitious, completely immersed in my comedy career. I never had that period of reckless hedonism that you should get out of your system in your youth.
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I think it's always funny when you see kids do Shakespeare. When I was at school, I was in Hamlet. I played Claudius, who's supposed to be a 60-year-old man, and I was like 18. It's inherently ridiculous seeing 18-year-old boys with gray beards. That's always funny.
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Comedy is unique in the sense that laughter is a palpable noise that everyone makes.
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When you tour you become more intimate with your audience. It's like I need reassurance that they like me or at least find me relevant. And that I can still do it.
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As soon as I see period costume, I turn off. It's like hearing drama on Radio 4.
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A lot of people can be very scared about making themselves vulnerable and appearing uncool. I don't really give a damn as long as it's funny, I'll do it [make fun of myself].
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