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Lemuel Ayers had had a huge success producing and designing Kiss Me, Kate. He wanted to produce this as a musical. I got the job. It was a professional score.

Stephen Sondheim

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Stephen Sondheim
Age: 94
Born: 1930
Born: March 22
Author
Composer
Dramaturge
Librettist
Lyricist
Musician
Poet
Screenwriter
Songwriter
New York City
New York
Stephen Joshua Sondheim
Produce
Designing
Design
Kate
Huge
Producing
Success
Score
Jobs
Kiss
Wanted
Professional
Kissing
Musical
Ayers

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TODD: The history of the world, my love -- LOVETT: Save a lot of graves, Do a lot of relatives favors! TODD: Is those below serving those up above! LOVETT: Ev'rybody shaves, So there should be plenty of flavors! TODD: How gratifying for once to know BOTH: That those above will serve those down below!
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In the Rodgers and Hammerstein generation, popular hits came out of shows and movies.
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If I got involved with the chat rooms and Facebook and everything - I would probably never leave. That's why I don't do it. I literally don't do it. At all.
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You have to be submitted for the Pulitzer, and unbeknownst to us, a choral director whom I know had submitted us.
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Sometimes people leave you Halfway through the wood Others may decieve you You decide what's good You decide alone But no one is alone
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I'm before him on my knees, and he kisses me He assumes I lose my reason and I do. Men are stupid, men are vain, Love's disgusting, love's insane, A humiliating business-oh how true.
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Everyone I used to play with has either given up or is dead.
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Oh if life were made of moments Even now and then a bad one--! But if life were only moments, Then you'd never know you had one.
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Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
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I've always liked puzzles, since I was a kid. I like party games, silly games. I loved chess. I enjoy jigsaw puzzles, but I'm not particularly visual.
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I like neurotic people. I like troubled people. Not that I don't like squared-away people, but I prefer neurotic people. I like to hear rumblings beneath the surface.
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I do not hope for what I cannot have! I do not cling to things I cannot keep!
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Lyrics have to be underwritten. That's why poets generally make poor lyric writers because the language is too rich. You get drowned in it.
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For me it's more fun to find an unexpected moment for a character to sing when you don't expect them to.
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When you know your cast well and their strengths and weaknesses, you can start writing for them, just the way Shakespeare wrote for his actors.
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You move just a finger, say the slightest word, something's bound to linger-be heard.
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I liked my father a lot, but I didn't see him very often because my mother was bitter about him. He remarried, and I used to have to sneak off to see him.
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Over a period of time it's been driven home to me that I'm not going to be the most popular writer in the world, so I'm always happy when anything in any way is accepted.
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The man i'll never be, Who remembers him?
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Sometimes colleagues in performance are absolutely astonishing.
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