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I like murder mysteries, the Agatha Christie kinds of things where you know that it's all going to be neatly wound up at the end.

Stephen Sondheim

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Stephen Sondheim
Age: 94
Born: 1930
Born: March 22
Author
Composer
Dramaturge
Librettist
Lyricist
Musician
Poet
Screenwriter
Songwriter
New York City
New York
Stephen Joshua Sondheim
Ends
Neatly
Going
Christie
Kind
Mysteries
Things
Wound
Like
Wounds
Murder
Kinds
Mystery
Agatha

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I'm sure many writers have these strange, tiny little habits.
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Into the woods--you have to grope, But that's the way you learn to cope. Into the woods to find there's hope Of getting through the journey.
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Into the woods you go again You have to every now and then Into the woods, no telling when Be ready for the journey Into the woods, each time you go There's more to learn of what you know.
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It should be interesting to see two entirely different ways to treat a story, geared for two entirely different kinds of audience.
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Puzzles are like songs - A good puzzle can give you all the pleasure of being duped that a mystery story can. It has surface innocence, surprise, the revelation of a concealed meaning, and the catharsis of solution.
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In the Rodgers and Hammerstein generation, popular hits came out of shows and movies.
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You have to be submitted for the Pulitzer, and unbeknownst to us, a choral director whom I know had submitted us.
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They wanted me to be a concert pianist, because I had a very good right hand, but my left hand's terrible and I hated performing.
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I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.
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My mother wanted me off her hands. She was a working woman. She designed clothes, and she was a celebrity collector. It's my mother's ambition to be a celebrity.
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It's pleasanter to work in the country, where you can wander out among the trees. But I don't get as much work done. In the city you don't want to leave the room because there's all that chaos going on.
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My main goal is to tell a story.
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You get used to the exact amount of space between lines. You write a word and then you write an alternate word over it. You want enough room so you can read it, so the lines can't be too close.
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Almost all the shows I've been connected with have been extremely well cast. They're playing the show, not just doing the songs.
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Pointillism takes emotional images, character, etc., and makes them all come together and make a whole that tells a story.
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I didn't really want to write just lyrics, but I wanted to meet Leonard Bernstein. Music was always the first reason I was writing songs.
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I don't like the word 'career'. When somebody says to me, 'oh, you've had such a wonderful career', I think, 'career - that's after you're dead.' I just don't think that way.
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When you trance out properly, when you're completely in that world, there is no other world, so there's no conflict.
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Everyone would like to be on Broadway, cause if a show works, you make a great deal of money and it allows you to write other shows.
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Let Pirelli's / Miracle Elixir / Activate your roots, sir... Keep it off your boots, sir- / Eats right through. Yes, get Pirelli's! / Use a bottle of it! / Ladies seem to love it... Flies do, too!
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