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My mother wanted me off her hands. She was a working woman. She designed clothes, and she was a celebrity collector. It's my mother's ambition to be a celebrity.

Stephen Sondheim

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Stephen Sondheim
Age: 94
Born: 1930
Born: March 22
Author
Composer
Dramaturge
Librettist
Lyricist
Musician
Poet
Screenwriter
Songwriter
New York City
New York
Stephen Joshua Sondheim
Clothes
Working
Woman
Mother
Collector
Hands
Collectors
Wanted
Celebrity
Designed
Ambition

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Dreams are a sweet mistake All dreamers must awake On, then, with the dance No backward glance Or my heart will break Never look back.
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I don't like the word 'career'. When somebody says to me, 'oh, you've had such a wonderful career', I think, 'career - that's after you're dead.' I just don't think that way.
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Into the woods--you have to grope, But that's the way you learn to cope. Into the woods to find there's hope Of getting through the journey.
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I took piano lessons when I was 6. I didn't want to go on with it. I don't remember being moved by a piece of music.
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Gotta watch out for directors.
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TODD: The history of the world, my love -- LOVETT: Save a lot of graves, Do a lot of relatives favors! TODD: Is those below serving those up above! LOVETT: Ev'rybody shaves, So there should be plenty of flavors! TODD: How gratifying for once to know BOTH: That those above will serve those down below!
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The nice thing about doing a crossword puzzle is, you know there is a solution.
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If I cannot fly, let me sing.
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I like neurotic people. I like troubled people. Not that I don't like squared-away people, but I prefer neurotic people. I like to hear rumblings beneath the surface.
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Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
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Nowadays, there are sometimes more producers than there are people in the cast, because it takes that much money to put a show on.
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Everyone would like to be on Broadway, cause if a show works, you make a great deal of money and it allows you to write other shows.
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I'm sure many writers have these strange, tiny little habits.
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Only capitalists get photographers.
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Generally, the best recording is the original cast, because that's the way the piece grew: integrally, with them.
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I'm before him on my knees, and he kisses me He assumes I lose my reason and I do. Men are stupid, men are vain, Love's disgusting, love's insane, A humiliating business-oh how true.
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The truth is that I don't like rehearsals. I get embarrassed hearing my own work. I assume that the cast is embarrassed to sing the stuff.
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After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
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I was watching him crawl, Back over the wall-! Then bang! Crash! And the lightning flash! And- well, that's another story, Never mind- Anyway.
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On stage, generally speaking, the story is stopped or held back by songs, because that's the convention. Audiences enjoy the song and the singer, that's the point.
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