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I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.

Stephen Sondheim

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Stephen Sondheim
Age: 94
Born: 1930
Born: March 22
Author
Composer
Dramaturge
Librettist
Lyricist
Musician
Poet
Screenwriter
Songwriter
New York City
New York
Stephen Joshua Sondheim
Making
Cry
Music
Across
Ideas
Laugh
Whole
Theater
Feel
Laughing
Feels
Audience
Much
Getting
Love
Idea
Paramount

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Every writer I've ever spoken to feels fraudulent in some way or other.
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I've always preferred actors who sing to singers who act in all the shows I've done.
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I was watching him crawl, Back over the wall-! Then bang! Crash! And the lightning flash! And- well, that's another story, Never mind- Anyway.
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They wanted me to be a concert pianist, because I had a very good right hand, but my left hand's terrible and I hated performing.
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Into the woods you go again You have to every now and then Into the woods, no telling when Be ready for the journey Into the woods, each time you go There's more to learn of what you know.
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I didn't really want to write just lyrics, but I wanted to meet Leonard Bernstein. Music was always the first reason I was writing songs.
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Generally, the best recording is the original cast, because that's the way the piece grew: integrally, with them.
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On stage, generally speaking, the story is stopped or held back by songs, because that's the convention. Audiences enjoy the song and the singer, that's the point.
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Anything that is white is sweet. Anything that is brown is meat. Anything that is grey, don't eat.
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It's pleasanter to work in the country, where you can wander out among the trees. But I don't get as much work done. In the city you don't want to leave the room because there's all that chaos going on.
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So here's to the girls on the go Everybody tries. Look into their eyes, And you'll see what they know: Everybody dies. A toast to that invincible bunch, The dinosaurs surviving the crunch. Let's hear it for the ladies who lunch Everybody rise!
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You may know what you need, but to get what you want, better see that you keep what you have.
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I don't like the word 'career'. When somebody says to me, 'oh, you've had such a wonderful career', I think, 'career - that's after you're dead.' I just don't think that way.
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Friendship, obligation and greed are not good enough reasons to write anything.
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To wish and wait From day to day Will never keep The wolves away.
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Into the woods--you have to grope, But that's the way you learn to cope. Into the woods to find there's hope Of getting through the journey.
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I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.
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Dreams are a sweet mistake All dreamers must awake On, then, with the dance No backward glance Or my heart will break Never look back.
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It should be interesting to see two entirely different ways to treat a story, geared for two entirely different kinds of audience.
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I do not dwell on dreams I know how soon a dream becomes an expectation How can I have expectations? Look at me, No, Captain, Look at me, Look at me!
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