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After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
Stephen Sondheim
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Stephen Sondheim
Age: 94
Born: 1930
Born: March 22
Author
Composer
Dramaturge
Librettist
Lyricist
Musician
Poet
Screenwriter
Songwriter
New York City
New York
Stephen Joshua Sondheim
Comedy
Entertainments
Story
Scenes
Opposed
Song
Entertainment
Stories
Became
Part
Revolution
Songs
Hammerstein
Scene
Rodgers
More quotes by Stephen Sondheim
Oscar Hammerstein was a surrogate father. I liked my father a lot, he was a swell fellow, but I didn’t see him very often because my mother was bitter about him and did everything she could to prevent me from seeing him.
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I chose and my world was shaken. So what? The choice may have been mistaken the choosing was not. You have to move on.
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Let Pirelli's / Miracle Elixir / Activate your roots, sir... Keep it off your boots, sir- / Eats right through. Yes, get Pirelli's! / Use a bottle of it! / Ladies seem to love it... Flies do, too!
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You may know what you need, but to get what you want, better see that you keep what you have.
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Sometimes colleagues in performance are absolutely astonishing.
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There's something inimical about the camera and song.
Stephen Sondheim
On stage, generally speaking, the story is stopped or held back by songs, because that's the convention. Audiences enjoy the song and the singer, that's the point.
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Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
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If I cannot fly, let me sing.
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Everyone tells tiny lies, what's important really is the size.
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That's the trouble with awards for a body of work. They always come at both a good time and a wrong time. Good because they tell you what you've been doing was worth the doing and wrong because they ought to come when you're young and excited and hungry for assurance that what you're doing is worth the doing.
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I'm sure many writers have these strange, tiny little habits.
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Oh if life were made of moments Even now and then a bad one--! But if life were only moments, Then you'd never know you had one.
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I've always liked puzzles, since I was a kid. I like party games, silly games. I loved chess. I enjoy jigsaw puzzles, but I'm not particularly visual.
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So here's to the girls on the go Everybody tries. Look into their eyes, And you'll see what they know: Everybody dies. A toast to that invincible bunch, The dinosaurs surviving the crunch. Let's hear it for the ladies who lunch Everybody rise!
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They wanted me to be a concert pianist, because I had a very good right hand, but my left hand's terrible and I hated performing.
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Ah, but if you have no expectations, You can never have a disappointment.
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Lyrics have to be underwritten. That's why poets generally make poor lyric writers because the language is too rich. You get drowned in it.
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I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.
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White. A blank page or canvas. So many possibilities.
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