When you're making your living as a writer or an artist or a musician, you kind of live in a trance. You're sort of in the day-to-day world, you're certainly there for your day-to-day relationships with people, and so on.

If you have birds, or if you're a herpetologist and raise reptiles - you look in those eyes, and there is nothing there that's human. I mean, they don't think like us, they don't see the world like us.

I hate superheroes. I always hated superheroes. From the time I was a little kid, I could believe in a 50-foot gorilla trashing New York City before I could believe a guy would put on long tights and bat ears and go and fight crime. Like, the fantasy never made sense to me, on a basic level.

The power of monsters is, it is a way of giving almost tangible substance to fears, beliefs, things that aren't real. You can coalesce it and draw it, or describe it, and it's a monster.

I, as a storyteller, was asking questions no one in science had apparently asked. What happens in a nest of tyrannosaurs? They're precocial, meaning when they hatch, they're ready to feed and move about. My questions are Hmm, if there's a nest of tyrannosaurs, and there's three siblings that survive, would they try to eat each other?

Horror is one of the few genres - romance and comedy are the other two that come to mind - that's all emotion-driven. It's not a rational genre, like science fiction is. It's irrational by nature. And it is capable of exploring all aspects of human experience.