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Practice is an ever-fresh, challenging flow of work and play in which we continually test and demolish our own delusions therefore, it is sometimes painful.
Stephen Nachmanovitch
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Stephen Nachmanovitch
Age: 74
Born: 1950
Born: November 2
Author
Jazz Musician
Play
Test
Sometimes
Tests
Work
Painful
Demolish
Flow
Delusions
Therefore
Continually
Challenges
Challenging
Practice
Delusion
Ever
Fresh
More quotes by Stephen Nachmanovitch
If the art is created with the whole person, then the work will come out whole. Education must teach, reach, and vibrate the whole person rather than merely transfer knowledge.
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Memory and intention and intuition are fused. The iron is always hot.
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The professionalism of technique and flash of dexterity are more comfortable to be around than raw creative power, hence our society generally rewards virtuoso performers more highly than it rewards original creators.
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Working within the limits of the medium forces us to change our own limits. Improvisation is not breaking with forms and limitations just to be 'free,' but using them as the very means of transcending ourselves.
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As an improvising musician, I am not in the music business, I am not in the creativity business I am in the surrender business.
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Improvisation is intuition in action, a way to discover the muse and learn to respond to her call.
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With too little judgement, we get trash. With too much judgement, we get blockage.
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The beauty of playing together is meeting in the One.
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There are no prescriptive solutions, no grand designs for grand problems. Life's solutions lie in the minute particulars involving more and more individual people daring to create their own life and art, daring to listen to the voice within their deepest, original nature, and deeper still, the voice within the earth.
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We provide both irritation and inspiration for each other- the grist for each other's pearl making.
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The most potent muse of all is our own inner child.
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There is not ultimate breakthrough what we find in the development of a creative life is an open-ended series of provisional breakthroughs. In this journey there is no endpoint, because it is the journey into the soul.
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Any action can be practiced as an art, as a craft, or as drudgery.
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In improvisation, there is only one time. This is what computer people call real time. The time of inspiration, the time of technically structuring and realizing... the time of playing it, and the time of communicating with the audience, are all one.
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Writing, playing, composing, painting, reading, listening, looking-all require that we submit to being swept away by Eros, to a transformation of self of the kind that happens when we fall in love.
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When we are totally faithful to our own individuality, we are actually following a very intricate design. This kind of freedom is the opposite of just anything.
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We can depend on the world being a perpetual surprise in perpetual motion.
Stephen Nachmanovitch
If we split practice from the real thing, neither one of them will be very real.
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Commitment to a set of rules frees your play to attain a profundity and vigor otherwise impossible.
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The noun of self becomes a verb. This flashpoint of creation in the present moment is where work and play merge.
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