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The professionalism of technique and flash of dexterity are more comfortable to be around than raw creative power, hence our society generally rewards virtuoso performers more highly than it rewards original creators.

Stephen Nachmanovitch

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Stephen Nachmanovitch
Age: 74
Born: 1950
Born: November 2
Author
Jazz Musician
Around
Original
Dexterity
Power
Technique
Professionalism
Rewards
Creators
Generally
Hence
Creator
Performers
Comfortable
Flash
Creative
Highly
Society
Originals
Virtuoso

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Commitment to a set of rules frees your play to attain a profundity and vigor otherwise impossible.
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The beauty of playing together is meeting in the One.
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To do anything artistically you have to acquire technique, but create through your technique and not with it.
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Working within the limits of the medium forces us to change our own limits. Improvisation is not breaking with forms and limitations just to be 'free,' but using them as the very means of transcending ourselves.
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As an improvising musician, I am not in the music business, I am not in the creativity business I am in the surrender business.
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If we split practice from the real thing, neither one of them will be very real.
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We provide both irritation and inspiration for each other- the grist for each other's pearl making.
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We can depend on the world being a perpetual surprise in perpetual motion.
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If the art is created with the whole person, then the work will come out whole. Education must teach, reach, and vibrate the whole person rather than merely transfer knowledge.
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There is not ultimate breakthrough what we find in the development of a creative life is an open-ended series of provisional breakthroughs. In this journey there is no endpoint, because it is the journey into the soul.
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With too little judgement, we get trash. With too much judgement, we get blockage.
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The power of mistakes enables us to reframe creative blocks and turn them around...The troublesome parts of our work, the parts that are most baffling and frustrating, are in fact the growing edges. We see these opportunities the instant we drop our preconceptions and our self-importance.
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If we are transparent, with nothing to hide, the gap between language and being disappears. Then the Muse can speak.
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In improvisation, there is only one time. This is what computer people call real time. The time of inspiration, the time of technically structuring and realizing... the time of playing it, and the time of communicating with the audience, are all one.
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There are no prescriptive solutions, no grand designs for grand problems. Life's solutions lie in the minute particulars involving more and more individual people daring to create their own life and art, daring to listen to the voice within their deepest, original nature, and deeper still, the voice within the earth.
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Memory and intention and intuition are fused. The iron is always hot.
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The most potent muse of all is our own inner child.
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Creative work is play. It is free speculation using materials of ones chosen form.
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