Quote

It hurts to imagine stuff. It can give you a headache. Probably doesn't hurt physically, but it hurts mentally. But the more that you can do it, the more you're able to get out of it. Everybody has that capacity, but I don't think everyone develops it.

Stephen King

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Stephen King
Age: 77
Born: 1947
Born: September 21
Actor
Author
Columnist
Director
Film Director
Journalist
Novelist
Science Fiction Writer
Screenwriter
Teacher
Television Producer
Writer
Portland
Maine
Stephen Edwin King
Richard Bachman
John Swithen
Doesn
Physically
Give
Capacity
Able
Probably
Giving
Hurt
Think
Imagine
Headache
Thinking
Everybody
Develops
Everyone
Mentally
Stuff
Hurts

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In polite society, we call our obsessions hobbies.
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Passing time adds false memories and modifies real ones.
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Lying in the bed that had once held two, Lisey thought alone never felt more lonely than when you woke up and discovered you still had the house to yourself. That you and the mice in the walls were the only ones still breathing.
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I want to write about spiders. To me, this is the one theme that cuts right across and scares just about everybody. Spiders, to me, are just about the most horrible, awful things that I can think about. I think everyone is afraid of spiders.
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Roland could not understand why anyone would want cocaine or any other illegal drug, for that matter, in a world where such a powerful one as sugar was so plentiful and cheap.
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In the end, the wind takes everything, doesn't it? And why not? Why other? If the sweetness of our lives did not depart, there would be no sweetness at all.
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All you imagined, no matter how wild it might seem, was no more than a disguised version of what you already knew.
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Just the act of cooking made her feel better, because cooking was life.
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Love isn't soft, like the poets say. Love has teeth which bite and the wounds never close.
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You know how it's going to end, but instead of spoiling things, that somehow increases your fascination. It's like watching a kid run his electric train faster and faster and waiting for it to derail on one of the curves.
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It's dialogue that gives your cast their voices, and is crucial in defining their characters.
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But sorry is the Kool-Aid of human emotions. [...] True sorrow is as rare as true love.
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Even when love isn't enough...somehow it is.
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Bad writing is more than a matter of (expletive deleted) syntax and faulty observation bad writing usually arises from a stubborn refusal to tell stories about what people actually do to face the fact, let us say, that murderers sometimes help old ladies cross the street.
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The town kept its secrets, and the Marsten House brooded over it like a ruined king.
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Good writing is often about letting go of fear and affectation. Affectation itself, beginning with the need to define some sorts of writing as 'good' and other sorts as 'bad' is fearful behavior.
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I think of fear as a survival function, and in the stories that I write, the only thing that I've tried to do is provide people with nightmares which are really safe places to put those fears for a while because you can say afterwards that uh, that, that well it was all just make-believe anyway, so I just took my emotions for a walk.
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This was the Darker Life, where every truth was written backward.
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no one dies happy, you can only die well
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No one can tell what goes on in between the person you were and the person you become. No one can chart that blue and lonely section of hell. There are no maps of the change. You just come out the other side. Or you don't.
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