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The Japanese put houses in among the trees and allowed nature to gain the ascendancy in any composition.
Stephen Gardiner
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Stephen Gardiner
Died: 1555
Died: November 12
Catholic Priest
English Politician
Judge
Politician
Bury St Edmunds
Suffolk
Trees
Gain
Allowed
Gains
Among
Ascendancy
Tree
Japanese
House
Composition
Nature
Houses
More quotes by Stephen Gardiner
In Japanese houses the interior melts into the gardens of the outside world.
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In the Scottish Orkneys, the little stone houses with their single large room and central hearth had an extraordinary range of built-in furniture.
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The Romans used every housing form known today and they have a remarkably modern look.
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In the East there is a gap between the top of the wall and the underside of the roof the wall does not act as a support. Instead, it acts as a screen, and the Chinese were able to use it as they wished.
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Up until the War of the Roses there had been continual conflict in England.
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People like terra firma, and they should be allowed to walk where they wish.
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Houses mean a creation, something new, a shelter freed from the idea of a cave.
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The English light is so very subtle, so very soft and misty, that the architecture responded with great delicacy of detail.
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The Egyptian contribution to architecture was more concerned with remembering the dead than the living.
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Until we perceive the meaning of our past, we remain the mere carriers of ideas, like the Nomads.
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The Egyptian tomb was the outcome of the Mesopotamian influence and followed from the religious crisis the country had undergone.
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Stonehenge was built possibly by the Minoans. It presents one of man's first attempts to order his view of the outside world.
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The frame of the cave leads to the frame of man.
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The mystery is what prompted men to leave caves, to come out of the womb of nature.
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The chief concern of the French Impressionists was the discovery of balance between light and dark.
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Newton, for instance, attempted to comprehend the diversities of the universe with a single system of mathematical laws, the objectivity, sobriety and logic of Palladian architecture presented an aesthetic formula which, while accepting variations and adjustments according to climate and other needs, could be applied universally.
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In Japanese art, space assumed a dominant role and its position was strengthened by Zen concepts.
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The mandala describes balance. This is so whatever the pictorial form.
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