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The Egyptian tomb was the outcome of the Mesopotamian influence and followed from the religious crisis the country had undergone.
Stephen Gardiner
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Stephen Gardiner
Died: 1555
Died: November 12
Catholic Priest
English Politician
Judge
Politician
Bury St Edmunds
Suffolk
Country
Egyptian
Tombs
Outcome
Followed
Outcomes
Crisis
Influence
Undergone
Religious
Tomb
More quotes by Stephen Gardiner
People like terra firma, and they should be allowed to walk where they wish.
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The frame of the cave leads to the frame of man.
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In the East there is a gap between the top of the wall and the underside of the roof the wall does not act as a support. Instead, it acts as a screen, and the Chinese were able to use it as they wished.
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The mystery is what prompted men to leave caves, to come out of the womb of nature.
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The mandala describes balance. This is so whatever the pictorial form.
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The Romans used every housing form known today and they have a remarkably modern look.
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Houses mean a creation, something new, a shelter freed from the idea of a cave.
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Stonehenge was built possibly by the Minoans. It presents one of man's first attempts to order his view of the outside world.
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The Egyptian contribution to architecture was more concerned with remembering the dead than the living.
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The Japanese put houses in among the trees and allowed nature to gain the ascendancy in any composition.
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Up until the War of the Roses there had been continual conflict in England.
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In Japanese houses the interior melts into the gardens of the outside world.
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Newton, for instance, attempted to comprehend the diversities of the universe with a single system of mathematical laws, the objectivity, sobriety and logic of Palladian architecture presented an aesthetic formula which, while accepting variations and adjustments according to climate and other needs, could be applied universally.
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In Japanese art, space assumed a dominant role and its position was strengthened by Zen concepts.
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In the Scottish Orkneys, the little stone houses with their single large room and central hearth had an extraordinary range of built-in furniture.
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The chief concern of the French Impressionists was the discovery of balance between light and dark.
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The English light is so very subtle, so very soft and misty, that the architecture responded with great delicacy of detail.
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Until we perceive the meaning of our past, we remain the mere carriers of ideas, like the Nomads.
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