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I can't remember ever feeling so glad that a movie was finally over. [Director George] Lucas may have held my imagination hostage for two hours, but reclaiming it afterward wasn't hard at all.
Stephanie Zacharek
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Stephanie Zacharek
Age: 61
Born: 1963
Born: January 1
Film Critic
Journalist
the United States of America
Hours
Held
Feelings
Glad
Two
Finally
Reclaiming
Remember
Directors
Lucas
May
Wasn
Hostage
Ever
Imagination
Afterward
Hard
Movie
George
Feeling
Director
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While 9 Songs is sexually explicit in the basic sense, its directness is what's most fascinating, and ultimately most moving, about it.
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This film Phantom takes everything that's wrong with Broadway and puts it on the big screen in a gaudy splat.
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This isn't a picture filled with wonder and a sense of fun it's so jaded and crass that I almost wonder if it's a highly unscientific experiment designed to gauge how little audiences will settle for these days. Manic and multicolored, Speed Racer is an excess of nothingness.
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Ewan McGregor stars as Jedi Obi-Wan Kenobi, again doing a fine Alec Guinness impersonation but otherwise seeming lost and alone in the galaxy as the one actor attempting to give a real performance in this mess.
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You can talk film theory till you're blue in the face, but in the end, the thing that may haunt you most about a movie is a pair of eyes.
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Who would have thought that [director] Cameron Crowe had a movie as bad as Vanilla Sky in him? It's a punishing picture, a betrayal of everything that Crowe has proved he knows how to do right.
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It's impossible to tell what's going on at any given moment in Tomb of the Dragon Emperor it's even harder to care about being able to tell.
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Children of Men is a solemn, haunting picture, but it's also a thrilling one, partly because of the sheer bravado with which it's made. It left me feeling more fortified than drained. [Director Alfonso] CuarĂ³n, the most openhearted of directors, prefers to give rather than take away.
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Pan's Labyrinth works on so many levels that it seems to change shape even as you watch it. It is, at times, a joyless picture, and its pall of sadness can begin to weigh you down.
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Oldboy makes us feel a part of something bigger than ourselves. It's a grand, gritty, indelible experience, the sort of picture that mimics great literature in the way it envelops you in a well-told story while also evoking subtle but strong gradations of emotion.
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