Even in the most horrendous situations there is always something to smile about.

I will look through 200 photographs of Kate Moss and there will be just one that I connect with for some reason, maybe because of the composition or something in the eye... Something touches me and I know I have to paint it, in the way a child knows it wants something.

I'm looking forward to being old, to be able to accept what I am and become self-sufficient. Mid-forties is a good age and it's not too far away.

My working hours are not that conventional. I often get up about two in the morning and do a painting, and then I'll have a bath, and then I often feel very hungry around 4am, so I'll go into Soho and have a meal somewhere like Balans. That's what I love about living here - there's always life around me.

I like to watch old films. Meet Me in St Louis, Cul-de-Sac and Buffalo 66 are some of my favourites.

I think there is a total equality for me between painting a literary figure or Kate Moss or my Mum or a dog or a bird. To me, they are all absolutely equal.

A common misperception of me is that I am a victim. I am not a victim. I am just honest about how things affect me.

I do have a very, very big problem with someone who saw me coming and exploited me as a mascot.

I like strong/vulnerable interesting women, and then sometimes I like painting beautiful men, like Kurt Cobain, or Mr Darcy.

Books are my one luxury. I have a lot of large coffee-table-size art books, in the shelves above my bed, about people like Warhol, Basquiat and Velasquez.