Quote

Our heritage as actors goes back thousands of years, and we have to feel as comfortable in the clothes, and the language of Sophocles as we do in our sneakers.

Stella Adler

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Stella Adler
Age: 91 †
Born: 1901
Born: February 10
Died: 1992
Died: December 21
Actress
Drama Teacher
Film Actor
Stage Actor
Manhattan borough
New York City
Back
Sneakers
Feel
Heritage
Feels
Thousands
Years
Clothes
Comfortable
Goes
Actors
Language
Sophocles

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Acting can be the healthiest profession in the world, because it allows you to do things you can't do in real life. It allows you to understand more than just what life provides you.
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The theatre-acting, creating, interpreting - means total involvement, the totality of heart, mind and spirit.
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Life beats down and crushes the soul and art reminds you that you have one.
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Emotions aren't doable. Actions are doable, and if you do them correctly, they prompt the feelings.
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The actor has to develop his body. The actor has to work on his voice. But the most important thing the actor has to work on is his mind.
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You'll never really be great unless you aim high.
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You have to get beyond your own precious inner experiences.
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When you most succeed, you do so by seeming not to act at all.
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You have to do something. If you do something, you become somebody. Even a daffodil does something, has a profession. It gives off scent, professionally.
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Your talent is in your choice.
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You act with your soul. That's why you all want to be actors, because your souls are not used up by life.
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Happy children should not try to be artists. You have to be born with a broken heart and a sense of loneliness inside. I never had a happy moment as a child myself.
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To grow: that is your deepest and truest need when you say, 'I want to be an actor.'
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It's not important to know who you are. It's important to know what you do, and then to do it like hercules!
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I would live in a communist country providing I was the Queen.
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An addict is someone who uses their body to tell society that something is wrong.
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Life in the theatre isn't necessarily when you get money from performing. It isn't when you sign a contract. It isn't even when you are in a play. It's when you understand it. If you understand it, you'll know why you want to act.
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Your job as actors is to understand the size of what you say, to understand what's beneath the word.
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Today the influences of your society pressure you to be successful before your time. They are pulling you down. They have pulled you down, you big, sweet, magnificent, young, potential artists. They have pulled you down so far that you are on the verge of destruction. Only you don't know it because you want to be a success
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It's not enough to have talent. You have to have a talent for your talent.
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