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The imagination is closer to the actor than real life-more agreeable, more comfortable.

Stella Adler

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Stella Adler
Age: 91 †
Born: 1901
Born: February 10
Died: 1992
Died: December 21
Actress
Drama Teacher
Film Actor
Stage Actor
Manhattan borough
New York City
Closer
Comfortable
Actor
Imagination
Actors
Real
Life
Agreeable

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Today the influences of your society pressure you to be successful before your time. They are pulling you down. They have pulled you down, you big, sweet, magnificent, young, potential artists. They have pulled you down so far that you are on the verge of destruction. Only you don't know it because you want to be a success
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Life beats down and crushes the soul and art reminds you that you have one.
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Your curse is that you have chosen a form that requires endless study .... It means you have to read, you have to observe, you have to think, so that when you turn your imagination on, it has the fuel to do its job.
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When you most succeed, you do so by seeming not to act at all.
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Tell yourself that the world is outside, that it's not to be hidden from you, that you are going to thrust yourself forward and be relaxed in the world. You have chosen a field where you're going to be hurt to the blood. But to retreat from the pain is death
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Emotions aren't doable. Actions are doable, and if you do them correctly, they prompt the feelings.
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Be innocent, wise and ninety-five.
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You have to do something. If you do something, you become somebody. Even a daffodil does something, has a profession. It gives off scent, professionally.
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It's not enough to have talent. You have to have a talent for your talent.
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The actor must be full of passion. If he's too cool he's better off as the manager of a company, not someone who appears on the stage.
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You have to get beyond your own precious inner experiences.
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The actor has to develop his body. The actor has to work on his voice. But the most important thing the actor has to work on is his mind.
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To grow: that is your deepest and truest need when you say, 'I want to be an actor.'
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You act with your soul. That's why you all want to be actors, because your souls are not used up by life.
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Your job as actors is to understand the size of what you say, to understand what's beneath the word.
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Don’t use your conscious past. Use your creative imagination to create a past that belongs to your character. I don’t want you to be stuck with your own life. It’s too little.
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In life, as on the stage, it's not who I am but what I do that's the measure of my worth and the secret of my success. All the rest is showiness, arrogance and conceit.
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You will only fail to learn if you do not learn from failing.
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Your talent is in your choice.
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You'll never really be great unless you aim high.
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