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I taught myself to read music at a very young age, so when I started to take lessons in school, the teachers used to give me other instruments to keep me busy, because I was more advanced than the other kids.

Stefon Harris

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Stefon Harris
Age: 51
Born: 1973
Born: March 23
Jazz Musician
Vibraphonist
Albany
New York
Stefon DeLeon Harris
Kids
Busy
School
Lessons
Used
Teacher
Young
Started
Give
Taught
Music
Age
Advanced
Take
Read
Teachers
Giving
Keep
Instruments

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I love Amsterdam. The city is vibrant and alive. It's fresh and so open. It's definitely one of my favorite places.
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It's about being here in the moment, accepting one another and allowing creativity to flow.
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If you listen to the way I speak, I have a lot of rhythm, use a lot of accents. When I'm playing my instrument, that concept comes through very clearly.
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If I play the melody, even if I play it in an abstract manner, it's instantly recognizable. Even when I was studying to be a classical percussionist, I think I was a more lyrical percussionist melody is the heart and soul of the music.
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Italy has great food and Barcelona has great energy
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One of the things I'm adamant about as a bandleader is not micromanaging. I'm an advocate for the concept of allowing everyone to be fully vested in what they're doing, so everyone contributes whatever they're inspired to contribute.
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Ultimately, what we do as musicians, I think of us as a type of emotional engineer. We essential take these sound waves, this sound, and we organize it into emotion, and that's how we connect with our audiences.
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I think when you look back at the different eras in jazz, what leads from one to another is never a melodic revolution, but a rhythmic revolution.
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Every ‘mistake’ is an opportunity in jazz.
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I listen to a lot of singers, because I find phrasing to be one of the most essential elements of playing.
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The bandstand is an incredible space. It is really a sacred space. One of the things that is really sacred about it is that you have no opportunity to think about the future, or the past.
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