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A human being will accept the strictest disciplinary measures with a better grace if he knows that they will fall with equal severity on his neighbor.

Stefan Zweig

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Stefan Zweig
Age: 60 †
Born: 1881
Born: November 28
Died: 1942
Died: February 22
Biographer
Essayist
Historian
Journalist
Literary Critic
Novelist
Playwright
Poet
Prosaist
Translator
Writer
Vienna
Austria
Accepting
Grace
Disciplinary
Fall
Strictest
Better
Severity
Human
Measures
Humans
Neighbor
Accept
Equal

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For this quiet, unprepossessing, passive man who has no garden in front of his subsidised flat, books are like flowers. He loves to line them up on the shelf in multicoloured rows: he watches over each of them with an old-fashioned gardener's delight, holds them like fragile objects in his thin, bloodless hands.
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A word is nothing unless it has values and an atmosphere, unless you grasp its historical significance.
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Besides, isn't it confoundedly easy to think you're a great man if you aren't burdened with the slightest idea that Rembrandt, Beethoven, Dante or Napoleon ever lived?
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The sight of a wedding always has a disturbing effect on young girls at such moments a mysterious sense of solidarity with their own sex takes possession of them.
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Every wave, regardless of how high and forceful it crests, must eventually collapse within itself.
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But don't despise error. When touched by genius, when led by chance, the most superior truth can come into being from even the most foolish error. The important inventions which have been brought about in every realm of science from false hypotheses number in the hundreds, indeed in the thousands.
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He who studies without passion will never become anything more than a pedant.
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Only ambition is fired by the coincidences of success and easy accomplishment.
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The transformation of the impossible into reality is always the mark of a demonic will. The only way to recognize a military genius is by the fact that, during the war, he will mock the rules of warfare and will employ creative improvisation instead of tested methods and he will do so at the right moment.
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It is never until one realizes that one means something to others that one feels there is any point or purpose in one's own existence.
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Nothing that has ever been thought and said with a clear mind and pure ethical strength is totally in vain even if it comes froma weak hand and is imperfectly formed, it inspires the ethical spirit to constantly renewed creation.
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Ah, how fatefully swift is the move from one feeling to another.
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Nothing whets the intelligence more than a passionate suspicion, nothing develops all the faculties of an immature mind more than a trail running away into the dark.
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Health alone does not suffice. To be happy, to become creative, man must always be strengthened by faith in the meaning of his own existence.
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Never can the innate power of a work be hidden or locked away. A work of art can be forgotten by time it can be forbidden and rejected but the elemental will always prevail over the ephemeral.
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Long-protracted suffering is apt to exhaust not only the invalid, but the compassion of others violent emotions cannot be prolonged endlessly.
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One can run away from anything but oneself.
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The Battle of Waterloo is a work of art with tension and drama with its unceasing change from hope to fear and back again, changewhich suddenly dissolves into a moment of extreme catastrophe, a model tragedy because the fate of Europe was determined within this individual fate.
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But the creative person is subject to a different, higher law than mere national law. Whoever has to create a work, whoever has tobring about a discovery or deed which will further the cause of all of humanity, no longer has his home in his native land but rather in his work.
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Happy people are poor psychologists.
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