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I'm pretty much a character-driven film director and my movies are smaller. I don't do a lot of coverage. I use lots of master shots.

Stanley Tucci

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Stanley Tucci
Age: 64
Born: 1960
Born: November 11
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
Voice Actor
Peekskill
New York
Masters
Coverage
Movies
Smaller
Pretty
Lots
Use
Director
Film
Master
Character
Driven
Much
Shots
Directors

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The constraints of melodrama can be a great blessing, because they demand that all the characters involved - as absurd and extreme as they may initially seem - must stay utterly rooted in their own reality, or the whole project collapses.
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A dream that you don't fight for can haunt you for the rest of your life.
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As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over.
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The smaller films just take a longer period of time to build their fan base because people don't see them as soon as they come out in the theater. They see them, after a period of years.
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I hate movies that take a long time to shoot or directors that labor over every shot or do excessive amounts of coverage and excessive takes and don't keep things moving or constantly cutting.
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I mean, Scorsese's a genius, and that's one way of shooting.
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I'm not saying they won't be bigger projects someday.
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As a director, I also get to sit and watch actors and learn from them in a way that I don't get to do when I'm just acting.
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People wear shorts to the Broadway theater. There should be a law against that.
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I've been playing the father of teenagers for years. People always thought that I was 40 when I was 26. Once you lose your hair, they're like Oh! He's really old now.
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As soon as the actor steps into the role, you probably can cut 50% of the lines because there's a person there now. And what a person does with their eyes, with their mouth, with their hands, the way they walk into a room, you can probably cut half the scene.
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I never go overbudget on my movies.
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I have consciously not taken the role of a gangster, which has been offered to me far too many times.
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I'm interested in how people shoot because I have a very specific way of shooting and I'm fascinated by the way other people shoot films, particularly if they're smart and talented.
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So yes, I hope to act in other people's movies, big and small, because that's how I make my living, really.
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I think everybody has a little bit of an asshole inside of them.
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And I love doing my own projects that's what I've always wanted to do.
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I'd read Up in the Old Hotel, and I wanted to do something with Mitchell's stuff for a long time.
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You have to be serious about what you do but you mustn't take yourself seriously. That way you'll be happier and ultimately you'll be more successful. You'll be better at what you do.
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Every character, no matter who you play, at times is pretending to be somebody else. People have a public face and a private face.
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