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I'm actually one who will encourage directors to cut my lines.

Stanley Tucci

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Stanley Tucci
Age: 64
Born: 1960
Born: November 11
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
Voice Actor
Peekskill
New York
Encourage
Encouragement
Directors
Cutting
Lines
Actually

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A dream that you don't fight for can haunt you for the rest of your life.
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I didn't know you had to change diapers so often. I couldn't believe it - we must change them 10 times a day - each. So that's 20 diapers a piece a day.
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My partner, Beth Alexander, and I want to produce smaller films, but commercially viable films that will enable me to make the kinds of movies I want to make.
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If you find that thing you love, it doesn't necessarily matter whether you do it well or not-you just need to do it.
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The smaller films just take a longer period of time to build their fan base because people don't see them as soon as they come out in the theater. They see them, after a period of years.
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What's great is when you're working with somebody with whom you have a connection, it's exciting because there's a shorthand and you trust each other and you have a good time together on the set and so you can go a little farther than you might normally because you're with somebody that you trust.
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As soon as the actor steps into the role, you probably can cut 50% of the lines because there's a person there now. And what a person does with their eyes, with their mouth, with their hands, the way they walk into a room, you can probably cut half the scene.
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But usually I'll wake up and start writing about nine o'clock. I'll probably write for about three hours, and I'll do that over the next month and a half.
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3D movie is tedious, its tedious for everybody, it's hard for the crew, it's hard for the actors. It adds more time. It's more technically complicated, so that just adds more time and takes a little more time away from he acting and that's kind of frustrating but to say I'll never do 3D again that doesn't make any sense.
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I hate movies that take a long time to shoot or directors that labor over every shot or do excessive amounts of coverage and excessive takes and don't keep things moving or constantly cutting.
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I'm pretty much a character-driven film director and my movies are smaller. I don't do a lot of coverage. I use lots of master shots.
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The thing is, I'm a very practical filmmaker.
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I write in the mornings. During my down time.
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I'd read Up in the Old Hotel, and I wanted to do something with Mitchell's stuff for a long time.
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I'm not saying they won't be bigger projects someday.
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You have to be serious about what you do but you mustn't take yourself seriously. That way you'll be happier and ultimately you'll be more successful. You'll be better at what you do.
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It's different if you're a painter. You can hidethe ones that don't work. You can't do that with movies. They tellthe story of who you are at the time, and that's the wonderful thingabout it.
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I think everybody has a little bit of an asshole inside of them.
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I'm interested in how people shoot because I have a very specific way of shooting and I'm fascinated by the way other people shoot films, particularly if they're smart and talented.
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