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My partner, Beth Alexander, and I want to produce smaller films, but commercially viable films that will enable me to make the kinds of movies I want to make.

Stanley Tucci

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Stanley Tucci
Age: 64
Born: 1960
Born: November 11
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
Voice Actor
Peekskill
New York
Produce
Viable
Movies
Alexander
Film
Enable
Kind
Smaller
Make
Partner
Partners
Kinds
Commercially
Films
Beth

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The constraints of melodrama can be a great blessing, because they demand that all the characters involved - as absurd and extreme as they may initially seem - must stay utterly rooted in their own reality, or the whole project collapses.
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The smaller films just take a longer period of time to build their fan base because people don't see them as soon as they come out in the theater. They see them, after a period of years.
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I think everybody has a little bit of an asshole inside of them.
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I'm interested in how people shoot because I have a very specific way of shooting and I'm fascinated by the way other people shoot films, particularly if they're smart and talented.
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I didn't know you had to change diapers so often. I couldn't believe it - we must change them 10 times a day - each. So that's 20 diapers a piece a day.
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If you feel safe then you can go wherever you want to go as an actor.
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3D movie is tedious, its tedious for everybody, it's hard for the crew, it's hard for the actors. It adds more time. It's more technically complicated, so that just adds more time and takes a little more time away from he acting and that's kind of frustrating but to say I'll never do 3D again that doesn't make any sense.
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If you find that thing you love, it doesn't necessarily matter whether you do it well or not-you just need to do it.
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I hate movies that take a long time to shoot or directors that labor over every shot or do excessive amounts of coverage and excessive takes and don't keep things moving or constantly cutting.
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I wanted to be an actor when I was a kid.
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I've always considered myself an actor first and foremost.
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I have consciously not taken the role of a gangster, which has been offered to me far too many times.
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As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over.
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As soon as the actor steps into the role, you probably can cut 50% of the lines because there's a person there now. And what a person does with their eyes, with their mouth, with their hands, the way they walk into a room, you can probably cut half the scene.
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And I love doing my own projects that's what I've always wanted to do.
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I'm not saying they won't be bigger projects someday.
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The thing is, I'm a very practical filmmaker.
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I'm actually one who will encourage directors to cut my lines.
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People wear shorts to the Broadway theater. There should be a law against that.
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Every character, no matter who you play, at times is pretending to be somebody else. People have a public face and a private face.
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