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My partner, Beth Alexander, and I want to produce smaller films, but commercially viable films that will enable me to make the kinds of movies I want to make.

Stanley Tucci

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Stanley Tucci
Age: 64
Born: 1960
Born: November 11
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
Voice Actor
Peekskill
New York
Kinds
Commercially
Films
Beth
Produce
Viable
Movies
Alexander
Film
Enable
Kind
Smaller
Make
Partner
Partners

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So yes, I hope to act in other people's movies, big and small, because that's how I make my living, really.
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I'd read Up in the Old Hotel, and I wanted to do something with Mitchell's stuff for a long time.
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I have consciously not taken the role of a gangster, which has been offered to me far too many times.
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I'm actually one who will encourage directors to cut my lines.
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As a director, I also get to sit and watch actors and learn from them in a way that I don't get to do when I'm just acting.
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The smaller films just take a longer period of time to build their fan base because people don't see them as soon as they come out in the theater. They see them, after a period of years.
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It's different if you're a painter. You can hidethe ones that don't work. You can't do that with movies. They tellthe story of who you are at the time, and that's the wonderful thingabout it.
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I hate movies that take a long time to shoot or directors that labor over every shot or do excessive amounts of coverage and excessive takes and don't keep things moving or constantly cutting.
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I write in the mornings. During my down time.
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What's great is when you're working with somebody with whom you have a connection, it's exciting because there's a shorthand and you trust each other and you have a good time together on the set and so you can go a little farther than you might normally because you're with somebody that you trust.
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People wear shorts to the Broadway theater. There should be a law against that.
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But usually I'll wake up and start writing about nine o'clock. I'll probably write for about three hours, and I'll do that over the next month and a half.
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3D movie is tedious, its tedious for everybody, it's hard for the crew, it's hard for the actors. It adds more time. It's more technically complicated, so that just adds more time and takes a little more time away from he acting and that's kind of frustrating but to say I'll never do 3D again that doesn't make any sense.
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Every character, no matter who you play, at times is pretending to be somebody else. People have a public face and a private face.
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I've been playing the father of teenagers for years. People always thought that I was 40 when I was 26. Once you lose your hair, they're like Oh! He's really old now.
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I mean, Scorsese's a genius, and that's one way of shooting.
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I think it's important to have a good sense of humor and joke around with your kids. That's what I do a lot.
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The constraints of melodrama can be a great blessing, because they demand that all the characters involved - as absurd and extreme as they may initially seem - must stay utterly rooted in their own reality, or the whole project collapses.
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I never go overbudget on my movies.
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I'm not saying they won't be bigger projects someday.
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