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My partner, Beth Alexander, and I want to produce smaller films, but commercially viable films that will enable me to make the kinds of movies I want to make.

Stanley Tucci

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Stanley Tucci
Age: 64
Born: 1960
Born: November 11
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
Voice Actor
Peekskill
New York
Make
Partner
Partners
Kinds
Commercially
Films
Beth
Produce
Viable
Movies
Alexander
Film
Enable
Kind
Smaller

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If you find that thing you love, it doesn't necessarily matter whether you do it well or not-you just need to do it.
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I never go overbudget on my movies.
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As a director, I also get to sit and watch actors and learn from them in a way that I don't get to do when I'm just acting.
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This is the funny thing about Skype. No one is really looking into the camera. People always looking down because they're looking at the image. You wish the camera was there in the center.
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I wanted to be an actor when I was a kid.
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So yes, I hope to act in other people's movies, big and small, because that's how I make my living, really.
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I hate movies that take a long time to shoot or directors that labor over every shot or do excessive amounts of coverage and excessive takes and don't keep things moving or constantly cutting.
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I'm interested in how people shoot because I have a very specific way of shooting and I'm fascinated by the way other people shoot films, particularly if they're smart and talented.
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I didn't know you had to change diapers so often. I couldn't believe it - we must change them 10 times a day - each. So that's 20 diapers a piece a day.
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As soon as the actor steps into the role, you probably can cut 50% of the lines because there's a person there now. And what a person does with their eyes, with their mouth, with their hands, the way they walk into a room, you can probably cut half the scene.
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The thing is, I'm a very practical filmmaker.
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But usually I'll wake up and start writing about nine o'clock. I'll probably write for about three hours, and I'll do that over the next month and a half.
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The constraints of melodrama can be a great blessing, because they demand that all the characters involved - as absurd and extreme as they may initially seem - must stay utterly rooted in their own reality, or the whole project collapses.
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As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over.
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I'd read Up in the Old Hotel, and I wanted to do something with Mitchell's stuff for a long time.
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I think it's important to have a good sense of humor and joke around with your kids. That's what I do a lot.
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I've always considered myself an actor first and foremost.
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I write in the mornings. During my down time.
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