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But usually I'll wake up and start writing about nine o'clock. I'll probably write for about three hours, and I'll do that over the next month and a half.

Stanley Tucci

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Stanley Tucci
Age: 64
Born: 1960
Born: November 11
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
Voice Actor
Peekskill
New York
Next
Nine
Three
Usually
Writing
Months
Probably
Start
Hours
Month
Half
Clock
Write
Wake

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As a director, I also get to sit and watch actors and learn from them in a way that I don't get to do when I'm just acting.
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I'm interested in how people shoot because I have a very specific way of shooting and I'm fascinated by the way other people shoot films, particularly if they're smart and talented.
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If you find that thing you love, it doesn't necessarily matter whether you do it well or not-you just need to do it.
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So yes, I hope to act in other people's movies, big and small, because that's how I make my living, really.
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3D movie is tedious, its tedious for everybody, it's hard for the crew, it's hard for the actors. It adds more time. It's more technically complicated, so that just adds more time and takes a little more time away from he acting and that's kind of frustrating but to say I'll never do 3D again that doesn't make any sense.
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I'm actually one who will encourage directors to cut my lines.
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It's different if you're a painter. You can hidethe ones that don't work. You can't do that with movies. They tellthe story of who you are at the time, and that's the wonderful thingabout it.
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I write in the mornings. During my down time.
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What's great is when you're working with somebody with whom you have a connection, it's exciting because there's a shorthand and you trust each other and you have a good time together on the set and so you can go a little farther than you might normally because you're with somebody that you trust.
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I think it's important to have a good sense of humor and joke around with your kids. That's what I do a lot.
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As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over.
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I mean, Scorsese's a genius, and that's one way of shooting.
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I never go overbudget on my movies.
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A dream that you don't fight for can haunt you for the rest of your life.
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I think everybody has a little bit of an asshole inside of them.
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I have consciously not taken the role of a gangster, which has been offered to me far too many times.
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The thing is, I'm a very practical filmmaker.
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As soon as the actor steps into the role, you probably can cut 50% of the lines because there's a person there now. And what a person does with their eyes, with their mouth, with their hands, the way they walk into a room, you can probably cut half the scene.
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The smaller films just take a longer period of time to build their fan base because people don't see them as soon as they come out in the theater. They see them, after a period of years.
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This is the funny thing about Skype. No one is really looking into the camera. People always looking down because they're looking at the image. You wish the camera was there in the center.
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