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A dream that you don't fight for can haunt you for the rest of your life.

Stanley Tucci

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Stanley Tucci
Age: 64
Born: 1960
Born: November 11
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
Voice Actor
Peekskill
New York
Dream
Life
Haunt
Fight
Rest
Vision
Fighting

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The constraints of melodrama can be a great blessing, because they demand that all the characters involved - as absurd and extreme as they may initially seem - must stay utterly rooted in their own reality, or the whole project collapses.
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Sometimes we all make relationships more complicated than they necessarily have to be.
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I've been playing the father of teenagers for years. People always thought that I was 40 when I was 26. Once you lose your hair, they're like Oh! He's really old now.
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I think everybody has a little bit of an asshole inside of them.
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I mean, Scorsese's a genius, and that's one way of shooting.
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I wanted to be an actor when I was a kid.
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You have to be serious about what you do but you mustn't take yourself seriously. That way you'll be happier and ultimately you'll be more successful. You'll be better at what you do.
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What's great is when you're working with somebody with whom you have a connection, it's exciting because there's a shorthand and you trust each other and you have a good time together on the set and so you can go a little farther than you might normally because you're with somebody that you trust.
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I write in the mornings. During my down time.
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People wear shorts to the Broadway theater. There should be a law against that.
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Every character, no matter who you play, at times is pretending to be somebody else. People have a public face and a private face.
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I've always considered myself an actor first and foremost.
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And I love doing my own projects that's what I've always wanted to do.
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This is the funny thing about Skype. No one is really looking into the camera. People always looking down because they're looking at the image. You wish the camera was there in the center.
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I'm interested in how people shoot because I have a very specific way of shooting and I'm fascinated by the way other people shoot films, particularly if they're smart and talented.
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Those moments in between the moments, those are the most interesting. What's unspoken, the way we talk around things, the way our actions are inconsistent with what we're feeling, how anger and affection manifest themselves in strange ways at inappropriate times.
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It's different if you're a painter. You can hidethe ones that don't work. You can't do that with movies. They tellthe story of who you are at the time, and that's the wonderful thingabout it.
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I hate movies that take a long time to shoot or directors that labor over every shot or do excessive amounts of coverage and excessive takes and don't keep things moving or constantly cutting.
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But usually I'll wake up and start writing about nine o'clock. I'll probably write for about three hours, and I'll do that over the next month and a half.
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My partner, Beth Alexander, and I want to produce smaller films, but commercially viable films that will enable me to make the kinds of movies I want to make.
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