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The very meaninglessness of life forces man to create his own meaning. If it can be written or thought, it can be filmed.

Stanley Kubrick

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Stanley Kubrick
Age: 70 †
Born: 1928
Born: July 26
Died: 1999
Died: March 7
Camera Operator
Chess Player
Cinematographer
Director
Executive Producer
Film Director
Film Editor
Film Producer
Photographer
Producer
The Bronx
New York City
Thought
Meaningless
Men
Forces
Life
Meaning
Darkness
Create
Written
Force
Light
Filmed

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It's impossible to tell you what I'm going to do except to say that I expect to make the best movie ever made.
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You sit at the board and suddenly your heart leaps. Your hand trembles to pick up the piece and move it. But what chess teaches you is that you must sit there calmly and think about whether it's really a good idea and whether there are other, better ideas.
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The director's job is to know what emotional statement he wants a character to convey in his scene or his line, and to exercise taste and judgment in helping the actor give his best possible performance.
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I never learned anything at all in school and didn't read a book for pleasure until I was 19 years old.
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Know what it is the emotional statement to convey, and use taste and judgement to help the actors give their best possible performance.
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In his essay on the uncanny, Das Unheimliche, Freud said that the uncanny is the only feeling which is more powerfully experienced in art than in life. If the horror genre required any justification, I should think this alone would serve as its credentials.
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The lasting and ultimately most important reputation of a film is not based on reviews, but on what, if anything, people say about it over the years, and on how much affection for it they have.
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The hardest thing in making a movie is to keep in the front of your consciousness your original response to the material. Because that's going to be the thing that will make the movie. And the loss of that will break the movie.
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A film needs more than you can give it in a lifetime.
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The great nations have always acted like gangsters, and the small nations like prostitutes.
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You're free to speculate as you wish about the philosophical and allegorical meaning of the film—and such speculation is one indication that it has succeeded in gripping the audience at a deep level—but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point.
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I've never achieved spectacular success with a film. My reputation has grown slowly. I suppose you could say that I'm a successful filmmaker-in that a number of people speak well of me. But none of my films have received unanimously positive reviews, and none have done blockbuster business.
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I'm not afraid of dying tomorrow, only of being killed.
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The destruction of this planet would have no significance on a cosmic scale.
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There are few things more fundamentally encouraging and stimulating than seeing someone else die.
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All my life I've always spoiled the things that meant the most to me.
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Suppose by chance you do get picked up. What have you done? You shot a horse that isn't first degree murder in fact, it isn't even murder in fact, I don't know what it is.
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It's crazy how you can get yourself in a mess sometimes and not even be able to think about it with any sense and yet not be able to think about anything else.
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Everything has already been done. every story has been told every scene has been shot. it’s our job to do it one better.
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You know, I often thought that the gangster and the artist are the same in the eyes of the masses. They're admired and hero-worshipped but there is always present underlying desire to see them destroyed at the peak of their glory.
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