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One man writes a novel. One man writes a symphony. It is essential that one man make a film.
Stanley Kubrick
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Stanley Kubrick
Age: 70 †
Born: 1928
Born: July 26
Died: 1999
Died: March 7
Camera Operator
Chess Player
Cinematographer
Director
Executive Producer
Film Director
Film Editor
Film Producer
Photographer
Producer
The Bronx
New York City
Men
Symphony
Writes
Essential
Essentials
Novel
Film
Writing
Make
More quotes by Stanley Kubrick
I’ve never been certain whether the moral of the Icarus story should only be, as is generally accepted, ‘don’t try to fly too high,’ or whether it might also be thought of as ‘forget the wax and feathers, and do a better job on the wings.
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Have you ever had a single moment's thought about my responsibilities?
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If you can talk brilliantly about a problem
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Suppose by chance you do get picked up. What have you done? You shot a horse that isn't first degree murder in fact, it isn't even murder in fact, I don't know what it is.
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There are few things more fundamentally encouraging and stimulating than seeing someone else die.
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It's impossible to tell you what I'm going to do except to say that I expect to make the best movie ever made.
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You're an idealist, and I pity you as I would the village idiot.
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All my life I've always spoiled the things that meant the most to me.
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Nothing is as dangerous as a sure thing.
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Bad films gave me the courage to try making a movie
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One does not have to make Frank Capra movies to like people.
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Everybody has their black moments.
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Art consists of reshaping life but it does not create life, nor cause life.
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The whole idea of god is absurd. If anything, '2001' shows that what some people call 'god' is simply an acceptable term for their ignorance. What they don't understand, they call 'god' -Stanley Kubrick, interview, 1963
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Private Joker is silly and he's ignorant but he's got guts and guts is enough.
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I'm not saying we wouldn't get our hair mussed, Mr. President, but I do say not more than ten to twenty million dead depending upon the breaks.
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What do you take me for? A fourteen karat sucker?
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Any time you take a chance you better be sure the rewards are worth the risk because they can put you away just as fast for a ten dollar heist as they can for a million dollar job.
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You're free to speculate as you wish about the philosophical and allegorical meaning of the film—and such speculation is one indication that it has succeeded in gripping the audience at a deep level—but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point.
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Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.
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