I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.

My childhood wasn't very happy. It's a long, grim story about being a Jew in a small southern town.

I can still dance a little, yes, but I like singing better. It's more fun.

It was very hard to make 'Funny Face' in Paris because making movies is difficult and making a movie in a city that was glorious, that was unique and surprising, to get it, to put it on film you have to make choices and reject a lot of things so you're always wondering: am I doing it right?

People always say to me, 'You have such a clearly defined sense of style,' and when I hear it, I get crazed, because what I hear - and I know they mean it as a compliment - is that I have such a narrow vision that I can't get out of it.

What we all like in life, I think, is the challenge of making something... that is not easy to do.

Jean-Luc Godard said that cinema is the truth 24 frames a second. I think cinema is lies 24 frames a second.

What I got, unconsciously, from admiring Fred Astaire was that he didn't want what he was doing to look difficult. What was difficult, in my opinion, was making it look so genuine, so effortless. I equally have tried to remain unseen on the screen.