I think my favorite for music and spirit is Ray Gomez.

I don't think a guy that really has no understanding about people, or has no interest in understanding people would make a good film composer.

I called the great French violinist Jean-Luc Ponty and I said 'So, who's the new cat? Who's got the stuff? And he said Zach Brock.

The point is, technology has empowered so many musicians, you know?

You can disseminate your art, and it's all such easy access now. The upside to it is that more people are creating than ever before.

I think I've done more recording in the past 10 years than most people, but it's all been directed toward film composing and soundtracks. Just the same, it's been great.

Bass players are always the intellectual kind, but nobody knows it.

I live a different way today. I have a family, and they are a priority for me. These days, I no longer wake up in the morning and worry if my bass is tuned properly and practice for hours and hours on end. I don't perform as much, but when I do, there's such magic to working in front of a live audience.

Usually, when I do a soundtrack, the music from the movie doesn't have anything to do with me personally. It's music to enhance to the film. My own stuff is more introspective and about what's on going in my head.

After all my years of doing instrumental music I still like just a simple instrumental song with a nice catchy melody and an opportunity to play a solo over a harmonic structure.

I really like sometimes to do action pictures I get a really big kick out of doing those.

Ray Gomez is truly an unsung hero in American music.

There are few words in the music business or in art that I'll say people or some writers are overgenerous with words like 'legend' or 'genius', 'he's a pioneer' and all of that.

Surrounding myself with people I enjoy being with made the sessions effortless. Everyone came prepared and ready to play. All were great musicians and they came to the studio to give everything they had.