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I had a publisher who felt comics were just for little kiddies, so he never wanted me to use words of more than two syllables.

Stan Lee

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Stan Lee
Age: 95 †
Born: 1922
Born: December 28
Died: 2018
Died: November 12
Business Executive
Comic Book Writer
Comics Writer
Editor
Executive Producer
Film Actor
Film Producer
Journalist
Publisher
Manhattan borough
New York City
Stanley Lieber
Stanley Martin Lieber
Never
Comics
Words
Use
Felt
Two
Kiddies
Littles
Publisher
Wanted
Syllables
Little
Publishers

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Some people are able to not only entertain the public in any way that they can but also in some way to throw in some sort of inspirational message with the entertainment. I have always tried to do that with whatever I wrote. And I'm sure that a lot of other writers do, too.
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The movies have made the comic books much more valuable and more respected.
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Most people say, I can't wait to retire so I can play golf, or go yachting or whatever they do. Well, if I was playing golf, I would want that to finish so I could go and dream up a new TV show.
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I always figure I'm not unique, and something that would please me hopefully would please a lot of other people that have the same tastes that I do.
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We have enough to do just trying to make our company what we want it to be. As far as whether I would like to own Marvel, sure, I'd like to own Marvel.
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From 1940 to about 1960, I had been writing just regular comics, the way my publishers wanted me too. He didn't want me to use words of more than two syllables if I could help it. He didn't want me to waste time on worrying about good dialogue or characterization. Just give me a lot of action, lot of fight scenes.
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I never thought that Spider-Man would become the world wide icon that he is. I just hoped the books would sell and I'd keep my job.
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I always thought it was more interesting to think about Reed Richards. As you know, he had the ability to stretch, and sexually, that would seem to be a great asset in many areas.
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I've been very lucky. All I wanted was to pay the rent. Then these characters took off and suddenly there were Hulk coffee mugs and Iron Man lunchboxes and The Avengers sweatshirts everywhere. Money's okay, but what I really like is working.
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I think it's just the challenge. It's not that all my life I've wanted to do characters [in Marvel] , because I never particularly thought about it, but the challenge of saying, How could they be done differently that may be more absorbing or more effective?
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The world has always been like a comic book world to me! What's happened is that communications got better and better, so now with cell-phones we can be in touch with people half a globe away.
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I'm lucky. I don't have to produce the whole movie. What I've been doing is just coming up with ideas for movies. I write a concept, a treatment, an outline, and if I sell that to a studio, then someone else does the actual production and I go on to another project, although I keep the title executive producer.
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I'm just somebody who tries to write things that entertain people. And if I can do it in a way that makes them prefer to emulate the good guy than the bad guy, I'm happy.
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MARVEL IS A CORNUCOPIA OF FANTASY, A WILD IDEA , A SWASHBUCKLING ATTITUDE , AN ESCAPE FROM THE HUMDRUM AND PROSAIC. IT'S A SERENDIPITOUS FEAST FOR THE MIND, THE EYE , AND THE IMAGINATION, A LITERATE CELEBRATION OF UNBRIDLED CREATIVITY, COUPLED WITH A TOUCH OF REBELLION AND AN INSOLENT DESIRE TO SPIT IN THE EYE OF THE DRAGON.
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Usually, the biggest hang-up is the script. You could have a script done in six months that you love, or it could be like The Fantastic Four it's been almost 10 years.
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I don't expect every movie to be done exactly the way I would have done it.
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I was in the beginning when [comic book superheroes] started, but not anymore. Now I expect it. I've gotten very used to it.
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I see myself in everything I write. All the good guys are me.
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The more you read, the better you're going to become as a storyteller.
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